When his father is murdered by an unknown gang, Natesan sets out to find the killers. But, he is shocked to learn that his father’s death has a connection with the murder of his childhood friend.

The world of an athlete who has a rare health condition intersects with that of a gang that specializes in printing counterfeit money. Faced with danger around every corner, the champion sprinter fights back with fervor.

A young man from a community of robbers aspires to become a cop and acts as an informer. However, the local inspector and a minister are keen to see him out of their way.

Adaptation of Indian mythology that depicts the triumph of good over evil.

A do-gooder man, who fights for the rights of the poor but is known as a rowdy, proposes marriage to a girl and she rejects him. Determined to woo her, he tries to win over her family but another admirer of hers tries to sabotage his image.

Chinese movie with action, fantasy and historical events directed and written by Kai Wang.

The movie takes place in a village in the Salem District where various sculptors come to make a statue. The village head (Sarath Babu) and his wife Rajeshwari (Roja) try to bring in sculptors to complete the statue. However, anyone who comes for the job is driven out of the village by a ghost. The villagers decide to entrust the job to another big man Devanna Gounder (Aadukalam Naren). Trouble erupts between the two families. A flashback reveals the reason for this. Vettri (Ramki) and Masaani (Iniya) make their appearances, where the audience learns of their love for one another. Agitated, Rajeshwari kills Vettri. Masaani dies delivering a boy named Vishva (Akhil). Vishva grows up and comes to the village to finish the task.

A corrupt policeman hires four teenagers, Aravindan, Madurai, Pandi and Kuttymani to kidnap Selvanayagam, a minister. But he is unaware that the boys have their own score to settle with Selvanayagam.

Pichaikkaran revolves around Arul Selvakumar, who’s a rich guy of the city. One day, he realizes that his mother’s life is at stake and can’t be easily saved. He then happens to meet a Swami who suggests him to give up all his pleasures and live as a beggar for 48 days, without revealing his identity intentions to anyone else. Accepting the challenge and telling about it only to his closest friend, Arul arrives in Chennai and as time passes, he forms a strong bind with other beggars in the city. He even comes close to Magizhini, a lady who runs a pizza parlour due to her good nature. Everything goes smooth until the day when he gets caught between deadly goons and his uncle who finds out about him and tries to overtake his business.

After claiming countless lives, the fairies won the great battle with the demons. However, the leader of their Kunlun sect Yu Qingzi died for his young apprentice Xiao He. 500 tranquil years later, Xiao He finds himself face to face with a resurrected Yu Qingzi.

A young man and woman running away from their homes are taken to a police station, where they become spectators to the goings-on at the place.

Vasu (Ajith) is a ruthless rowdy who lives in a cinema theater owned by Vinu Chakravarthy. He had a tortured childhood and wastes his days by drinking, fighting, and sleeping. It all starts when Vasu’s friend Dhamu loses an Annamalai movie reel to Mohana (Shalini). Vasu and Mohana clash when he attempts to retrieve the reel. Mohana’s family are members of the police, headed by Birla Bose (Nasser), Mohana’s father. At this point, Tulasi Das (Raghuvaran), an ex-mafia “dada” who spent many years in jail because of Bose, comes to the theater. He does not like Bose and hires Vasu to kidnap Mohana. He cries out his woes in the song “Satham Illatha.” Mohana falls in love with him after hearing his pain. When Tulasi realizes Mohana loves Vasu, he hires Vasu to pretend he loves her back. At first it is just pretend, but then he too begins to love her. Tulasi visits Bose to inform him of his daughter’s love for a gangster and realizes Mohana is indeed his daughter. A flashback showing the parted friendship between the two men, and Ganga (Raadhika), Tulasi’s wife, abandons him and their child when she comes to know her husband is a don. Knowing Mohana is his daughter, Tulasi instructs Vasu to give up his love. When Vasu refuses, Tulasi visits Mohana and tells her about his ploy and that Vasu’s love for her was fake. Eventually, Vasu proves to Mohana his love was true and unites with her after a clash between the cops and some goons of the locality.