Tanhaji, a Maratha warrior, is Shivaji Maharaj’s trusted lieutenant. When the Mughals invade and conquer Kondhana fort, he sets out to reclaim it for his king and country.

Krishna fights to avenge his sister’s death and the future of medical students in this action-packed thriller.

The untold story of India’s most audacious and daring covert operation in the heart of Pakistan.

Pulavar Samy (G.M.Kumar) an unsuccessful musician who wastes his life with the bottle, his teetotaler son Sannaasi (Sasikumar) who is the head of a ‘Tharai Thappattai’ music and dance troupe and the alcoholic Sooravali (Varalakshmi Sarathkumar) the lead dancer who has the temper of a man but is in love with Sannasi and has a soft corner for Pulavar Samy. A fan of Sooravali, Karuppiah (R.K. Suresh) proposes marriage to Sooravali through Sannasi and her mother, who is impressed with his government job and his decent behavior gets Sannasi to convince the girl to agree and what happens next forms the rest of the story.

When three young women are implicated in a crime, a retired lawyer steps forward to help them clear their names.

Badava Rascal is a romantic comedy entertainer movie directed by Shankar and produced by Dhananjay . The movie cast includes Daali Dhananjay and Amrutha Iyengar in the main lead roles while Vasuki Vaibhav scored music.

A man arrives in Chennai with a simple wish of buying gold bangles for his mother. However, an event changes his life completely and he becomes famous as the most dreaded criminal in the city.

Indhiran, a narcoleptic, and Meera, the daughter of a businessman, marry after they fall in love. One day, when Meera goes into a coma after being attacked, a livid Indhiran sets out for revenge.

After a fireman loses his wife and only son in an unfortunate accident, he finds solace in bringing up an orphan boy as his own.

Mathil Mel Poonai is a 2013 Tamil language thriller film written and directed by Barani Jayapal. Vijay Vasanth and Vibha Natarajan play the lead roles in the film. The villains in the film are Karthik, Prabha, Ramesh. Thambi Ramayya and Meera Krishna share screen space also playing the key roles in the movie.

Aanusmita Sharma (Shahana Goswami), an employee of London-based company Barron Industries, introduces a new technology that allows objects from the digital world to enter the real world using the wireless transmissions from multiple devices. Shekhar Subramanium (Shah Rukh Khan), a game designer who also works at Barron Industries, has delivered a number of commercial failures; an irate Barron (Dalip Tahil) gives him his last chance to develop a successful game. To impress his sceptical son Prateek (Armaan Verma), and upon the request of his wife Sonia (Kareena Kapoor), Shekhar uses his son’s idea that the antagonist should be more powerful than the protagonist. His colleague, computer programmer Aanusmita uses Shekhar’s face as a model for that of the game’s protagonist G.One (Shah Rukh Khan) (Technically Good One and in Hindi Jeevan, which means life), while the shape-shifting antagonist Ra.One (Technically Random Access Version One and in Hindi Ravan, an ancient demon king)[7] is made faceless. Another colleague, her boyfriend, Aakaashi (Tom Wu), implements the characters’ movements. The game, named Ra.One, contains three levels, the final level being the only one in which either character can be killed. Each character possesses a special device – the H.A.R.T (Hertz Amplifying Resonance Transmitter) which gives them their powers. Upon reaching the last level, the characters gain a gun with one bullet; the other character can be killed by this bullet but only if his H.A.R.T is attached.

According to review by IndiaTimes:
The movie starts with a chase sequence – a girl is being chased by a bunch of goons as per the order of a dreaded politician. Four boys come to her rescue and she is taken away by them in a car. The chase continues for around an hour’s time, in the course of which two of the boys lust after her. The third guy wants to get rid of her to avoid unnecessary consequences, and the fourth guy falls in love with her. The worse thing is, the girl, too, loves him back without any convincing reason. Even when the indefinite car chase happens, with the goons yelling ‘thookku da’, ‘poda’, ‘vaada’, and so on, we are shown two songs featuring the hero and heroine. The latter half of the movie is hilariously terrible with some pointless skin show, never-ending fight sequences, funny dialogues and bizarre background score. This is a film which shouldn’t have been made.