Bogan is about a police officer vikram played by Jayam ravi on his way to find a culprit on a bank theft case, happens to chase Adhithya, played by Arvind swami. Soon after vikram arrests Adhithya by a brilliant plan, the film takes its next level, with a terrific intervel block. Film is racy post interval and ends up as an above average thriller with fantastic performnace from Arvind swami and Jayam Ravi. Film has an adapted theme from some hollywood films, still makes a mark with racy script but has flaws with forceful afdition of songs and commercial must haves of tamil cinema.

A seemingly down-to-earth guy Arun (Arvind Swamy) leads a life of a computer hacker by day and thief by night. When he meets Madhu (Isha Koppikar) whom he fancies, he wishes to turn over a new leaf. But Arun’s rogue brother, who has been blackmailing him since young to do his dirty deeds, does not think likewise. A deep love-hate relationship between them which unfolded during their childhood days traps Arun into a life of crime. How Arun chooses between his family and love forms the crux of the story.

The film explores the dark underbelly of Thiruvananthapuram where rival goondas clash in cold-blooded gang wars to gain dominion over the city’s suburbs and slums.

The film opens and ends with jail sequences. In both scenes, Pazhanivel (Bharath) is seen behind bars. The happenings from his release and his reentry to the jail make the whole film. Pazhanivel, who comes out of prison, puts his sister Karpagambal’s (Kushboo) life on track through his heroics and goes back to jail as a martyr. Pazhanivel was put behind bars when he was 10 years old. He killed his father’s (Yaar Kannan) “keep”, who made his mother’s (Rekha) life a hell by exploiting her to cajole his “keep”. He went to jail, and his father turned an aimless vagabond. Karpagambal, who disowned him when he was sent to jail, grew up and got married to businessman Jeevanandham (Biju Menon). Karpagambal is living in a fool’s paradise, believing the man, who is actually an antisocial element. However, she need not worry about anything. Pazhanivel, who is now 25 years old, has come out of jail. He gets a job in his sister’s house, unearths Jeevanandham’s shady deals, reforms him, and puts his sister’s life on track. Meanwhile, he finds his lady love Deepti (Kajal Aggarwal).

On the day of a public conference by the state’s Chief Minister, his bodyguard and a police officer are stuck in a time loop.

Surya (Ram Pothineni) is a carefree youth who lives with his father Narayana Murthy (Sathyaraj). He loves his father and is very protective of him. When they visit the temple, Murthy meets a disciplined and valued girl named Bhanumathi (Raashi Khanna) whom he wishes which house she will enter it, would be very lucky. This is noticed by Surya, and he decides to marry only her just for his father’s wish. He wants 50,000 for a delivery operation. He gets 40,000 from his friends and meets Bhanumathi (unaware that she is the same girl) and falls for her, but he does not do it because of the temple girl. He fools her and takes the remaining 10,000 from her. She tells that her father (Posani Krishna Murali) thinks that money should be with us till last, and he even makes her wear glasses on the rationale that no one would fall in love with her if she looks like an aunty. She is taken by Surya’s attitude of enjoying life to the fullest. He takes her to the delivery he helped the couple’s house. They ask him to name the baby, which he names Bhanumathi because she gave the remaining 10,000, which makes Bhanumathi fall for him. She proposes to him but is rejected because of the temple girl (which is herself but she does not know it). Surya reciprocates it when he discovers that she is the same girl. As everything was going correct, Minister Rajappa (Rao Ramesh) troubles Murthy to get his signature for a file. Murthy objects for this signature and lands in deep trouble. Surya solves the problem. Murthy retires happily, giving the credit of his happiness to Surya. Surya later marries Bhanumathi and lives happily.

According to review by IndiaTimes:
The movie starts with a chase sequence – a girl is being chased by a bunch of goons as per the order of a dreaded politician. Four boys come to her rescue and she is taken away by them in a car. The chase continues for around an hour’s time, in the course of which two of the boys lust after her. The third guy wants to get rid of her to avoid unnecessary consequences, and the fourth guy falls in love with her. The worse thing is, the girl, too, loves him back without any convincing reason. Even when the indefinite car chase happens, with the goons yelling ‘thookku da’, ‘poda’, ‘vaada’, and so on, we are shown two songs featuring the hero and heroine. The latter half of the movie is hilariously terrible with some pointless skin show, never-ending fight sequences, funny dialogues and bizarre background score. This is a film which shouldn’t have been made.

Romeo lives a wealthy lifestyle in Bangalore, India, along with his widowed mother. He had received considerable assistance and encouragement from Raj Mohan to dance and sing, and as a result gets very popular with young women. He meets and is attracted to Madhu, who is also his fan. His mother meets with Madhu’s grandfather and both arrange their wedding. Then Romeo finds out that Raj Mohan has been stealing body parts, especially kidneys, from patients in the Satya Moorthy Hospital, and then getting them killed via bus accidents. He meets with Raj and warns him that he is going to expose him publicly. Before he could that Romeo is shot, taken by ambulance, and thrown off of a cliff. His friend, Prakash, is blamed for this, is arrested, tried in Court, found guilty, and sentenced to life imprisonment. But Romeo survives, is looked after by tribal people, and several months later returns to Bangalore to expose Raj – only to find a look-alike, a Chandaal (Hindu Undertaker) named Badshah, from Bombay, has taken over his life, identity, love, and is residing in his very own home!

When a smuggler kills his sister, a naive, immature man (Rajinikanth) vows to deliver justice for her death and joins a martial arts school. He trains hard there to become a master fighter, honing his fighting skills. Taking on a new identity, Paayum Puli (Pouncing Tiger), he sets off for revenge, but the affection of a beautiful woman (Radha) soon puts a hitch in his plans. Manorama, Silk Smitha and Jaishankar also star in this action-packed movie.

Young Jeeva (Silambarasan) is the grandson of Seema of Theni. When she was five years old, she kills five persons and goes to jail. She comes out of prison turning nastier than before. She is now a hard-core ‘dada’ and she is feared as well as revered by people in her place, Theni, where she is engaged in all activities which the law forbids. The local police throw up their hands. A police officer, also named Jeeva (Lal), comes down heavily on Seema with all his might and cunningness and finally burns her alive. Meanwhile, a rowdy, also named Jeeva, becomes a thorn in the flesh of police officer Jeeva and he is after his daughter Vedika, who loves Seema’s grandson, a tough guy in the college. While Vedika wants to keep the rowdy off her with the help of Seema’s grandson, he wants to take revenge on her father for killing his grandmother. How he fulfils his task is the crux of the movie.

A lawyer turns judge jury and executioner and goes after a gang, led by a minister’s son, that threatens women with videos of them.

Foul-mouthed mutant mercenary Wade Wilson (a.k.a. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg Cable.