Shashi Godbole is a homemaker who makes and sells laddoos as a home-run business. Her husband Satish and daughter Sapna take her for granted, mock her poor English skills, and generally treat her with disrespect, making Shashi feel negative and insecure. However, her young son, Sagar loves her as she is, and her mother-in-law offers her words of sympathy.
Shashi’s older sister Manu, who lives in New York, invites Shashi’s family to her daughter Meera’s wedding to Kevin. It is decided that Shashi will go to New York alone five weeks before the wedding to help Manu organize. Her husband and children will join her as the wedding approaches. During her flight to New York, Shashi is given inspirational advice by a fellow passenger (Amitabh Bachchan in Hindi/Ajith Kumar in Tamil). While Shashi is in New York, she has a traumatic experience at a cafe due to her inability to communicate in English. She is comforted by a French chef Laurent who happened to be queuing up behind her at the cafe.
Using the money she made from selling laddoos, Shashi secretly enrolls in a conversational English class that offers to teach the language in four weeks, showing her resourcefulness at navigating an unfamiliar city alone. The class comprises David Fischer, the instructor; Eva, a Mexican nanny; Salman Khan, a Pakistani cab driver; Yu Son, a Chinese hairstylist; Ramamurthy, a Tamil software engineer; Udumbke, a closeted African-Caribbean man; and Laurent. Shashi quickly becomes a promising and committed student, earns everyone’s respect with her charming behavior and her cuisine, and gains self-confidence. Laurent becomes attracted to Shashi. When he tries to kiss her at the rooftop of a building, Shashi rejects him and runs off, but fails to explain that she is married.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

‘Mahaan Kanakku’ is a quality entertainer that graced Tamil cinema in recent times. The film stars Ramana and Richa Sinha in the lead roles and is helmed by Sampath, with music by AK Rishal Sai. Norway Tamil Film Festival – Tamilar Awards 2012 The film Mahaan Kanakku is about one problem that most people from the middle class have faced directly or indirectly. The issue is how the private banks in the country take ride on their customers, who are put to untold miseries. Ramana plays a MBA graduate who wages a battle against them. Filmmaker Sampath Arumugham seems to have gone the Shankar way in his maiden venture Mahaan Kanakku. In a nutshell, it is an individual’s crusade against the alleged high-handedness of some private banks in the country that fleece the borrowers in the name of interest. He has not made it very preachy. Ramana’s patience and perseverance seems to have been rewarded with Mahaan Kanakku. Check out the Tamil Movie Review – Mahaan Kanakku Jeeva (Ramana) is a happy-go-lucky youngster. He leads a contended life in Coimbatore with his siter Janaki (Devadarshini) and her husband Vardharajan (Srinath). For Jeeva’s higher education, Varadharajan obtains loand from OCOC bank. Though he repays the loan, for no reason he is harassed by bank officials and collection agents. He is humiliated by them at his workplace and his residence too. Unable to bear their tortures, Varadharajan commits suicide with his family. Only after their death, Jeeva comes to know about the incident. He now vows to teach these private banks a lesson. Jeeva lands in Chennai with a mission now. He fakes his identity and uses all loopholes in the legal systems and borrows huge money from banks. One fine day without repaying them, he disappears. Ow the bank officials run behind him. Eventually he is caught and brought to a special court where he throws light on the attractiveness of these banks and gives a call that private banks be nationalized for they have spelt doom on many families. The director deserves praise for his guts to handle such serious theme. But at no point it goes preachy or dull. His crisp dialogues add strength. Three cheers to the filmmaker for handling a theme like this. He promises a lot and hopefully delivers more in days to come

A simple girl rises to be a big star, but the story of her success is not without its dark side.

Nakshatra (Hebah Patel) is an beautiful angel from heaven. She fell in love with the way of life on earth and wanted to live among humans. But her father Gandharva Raju and her mother are strongly against it because humans are not noble creatures. Despite her parents warnings Nakshatra was adamant to go live on earth as human, so her father turned herself into a statue and send her to the earth with a condition that she will only come into life if she met a person with a good heart. As it turns out Nani (Naga Anvesh) is the person who brings her into life and they started to spend a lot of time together. Eventually they fell for each other. But Gandharva Raju sent a special creature to bring Nakshatra back to heaven. What will happen next? Will she be able to stay on earth with her lover?

Tamil, Malar and Esakki are three friends who are planning to kidnap Isabella, Tamizh’s girlfriend, who is being forced by her rich father to marry against her wishes. Chakkaravarthy enters the scene as main villain.

The idea of true love and hope shown through several characters and their slice of life.

Aravindan (Vijay), Chandru (Suriya), and Krishnamurthy (Ramesh Khanna) value friendship over everything else, even family. For this reason, Chandru resists the advances of Aravindan’s sister Amutha (Vijayalakshmi). When the trio takes up a painter’s job at a mansion, Aravindan falls in love with Padmini (Devayani), who lives there. Padmini’s jealous cousin Abhirami (Abhinayashree) makes him believe that his overtures are reciprocated. When the truth is revealed and Padmini rejects him, Chandru stands up for his friend and speaks ill of her. This makes her swear to separate the friends.[2] After the marriage, Aravindan realises the hand of Abhirami behind all the mishaps, and Padmini realises that Chandru is innocent. Chandru and Amutha’s marriage is arranged. Gautham (Sriman) is Aravindan’s cousin who is in love with Amutha and wants to separate the pair. He makes Chandru believe that Padmini is trying to kill Amutha. Padmini is angry with Chandru. Aravindan tells the truth that in their young ages, he unknowingly killed Chandru’s deaf and mute brother. Gautham records this and makes Chandru hear it. Chandru and Aravindan fight and go by their ways. Aravindan tries to convince Chandru but falls from the top of a mountain. Chandru believes that Aravindan is dead, but after five years, he finds out that Aravindan is not dead but has ended up in a coma. Gautham is now torturing his family a lot. When he comes to know that Chandru has come back, he starts to beat him up. After hearing Chandru’s cry of pain, Aravindan wakes up from his coma. He beats up Gautham, and everyone rejoins and lives happily.

The film is a 4-chapter anthology of 7 couples in one broad backdrop – the first night of marriage.

A new scientific discovery reanimates a slain man who is either a missing person or a gangster’s archenemy.

Vishayam Veliye Theriya Koodadhu (Tamil: விஷயம் வெளியே தெரிய கூடாது) is a Tamil-language Drama film which is Directed by Raghavendra performed by Sentrayan on 2 January 2015.

A veteran freedom fighter named Senapathy learns a rare form of martial art that enables him to kill anyone with his bare hands. He uses that to end crime and punishes the culprits on his own.