Kutti Puli (Sasikumar) is a happy go-lucky good hearted ruffian, whose mother (Saranya Ponvannan) wants him to settle down. But our hero does not believe in love or marriage till he meets Bharathy (Lakshmi Menon), who changes his attitude. But his enemies will not allow him to lead a respectful family life. Meanwhile a Silambatam match breaks out into a haphazard fight between Puli and a local gang; the events turn out to become a bloodbath after the goons beat Puli up pretty badly. Post the trauma and pain, will Puli avenge his pride? What happens to Bharathi’s love? Can Puli lead a normal life that his mother always wanted to? The rest of plot unveils with all these questions answered.

Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.

Kaali (Karthi) is an impulsive and short-tempered working class man who works in an IT company and enjoys playing football during his free time. His best friend is Anbu (Kalaiyarasan), who is a young political aspirant. They along with their gang live in the dilapidated flats of the housing board in Vyasarpadi, North Chennai. In a long-standing bloody feud, two factions of a political party have been laying claim to a wall on which they can paint the portraits of their respective political leaders. Anbu, under the local leader of one of the opposing parties, Maari (Charles Vinoth), is determined to claim that wall for their own party. The other party chief is Kannan (Poster Nandakumar) and his son Perumal (Mime Gopi) who are hell bent in making sure that their opponents efforts go in vain. The painting of Kannan’s father’s face has been on the wall for two decades, since the start of the feud. The two parties and their supporters get into frequent clashes and scrapes. In the meantime, Kaali falls in love with Kalaiarasi (Catherine Tresa), and she too reciprocates his feelings.

Ramarao is a fair government officer who bends the rules when it comes to fighting the lapses in the system. When transferred to his own village, situations take him on a quest where he faces challenges and has to take on evil.

The film, however, follows familiar pattern of Spanish original, wherein a corpse mysteriously disappears from the city morgue. This leads to summoning of police officer to investigate the case of missing body. As usual needle of suspicion falls on woman’s husband. While Spanish film is noir genre cinema, Ramesh’s Game with its taut and gripping screenplay, is aptly tailored to suit the Indian audience’s palate. How, no-nonsense, smart cop Sharath Chandra unravels the truth; whether high profile lady Maya, has been murdered, is it a case of catalepsy, or case of drunken driving, hit and run, behind it, forms the fulcrum of eerie and edgy Game set in specially constructed forensic lab.

The CBI is in search of Sooriyan, an intelligent security officer of central ministry, who is accused of murdering a central Minister. But he has taken shelter in a remote village.

Before dying at the hands of a criminal, a police officer swears that he will return as a reincarnation to seek revenge. Consequently, fate brings together his twin sons who were separated at birth.

Kannan (Vimal), Ayyavu (Bharani), Rajamani (Gaurav Narayanan), and Mariappan (Nishanth) are four friends who live their lives in their own way in Madurai. They are callous youths who go hammer and tongs to make both ends meet. Kannan, a wedding videographer, comes across his childhood friend Radha (Anjali), who is a compere in a local cable TV channel, and love blossoms. However, one event changes the course of their life. Kannan bashes a youth for taking obscene video clippings of a girl and blackmailing her with ulterior motive. The youth’s father (Kamala theatre owner Raju) finds out the men behind the attack on his son. He hatches a conspiracy and ensures that the friends themselves turn foes for each other. In the meantime, it is time for Kannan to tie the knot with Radha. Did the baddie succeed in his mission is the crux of the story.

VERULI, as the name indicates scarecrow, the director of the film Amudhavanan throws a sequence of incidents that confuses Ashwin( Abishek) as real accidents. The events and evidence also scares the situation. Series of same events makes Ashwin to think in another angle leading to conclusion. With the help and advice from his peers Ashwin makes youthful activities in twisting the reason. Reporter (Archana Singh)paves way for the investigation in her perception along with her cameraman Shankar(Jayachandran)in a presentable humour. A sequence of humourous facts in between turns the film towards (K.Bhakiyaraj) who narrates the situation and justifies the reason and helps in breaking the suspense.

DCP Paramaguru (Ajith Kumar) is an efficient police officer who fights with the scum of the society. He later masquerades as a thief to infiltrate into the underworld. The bad guys are surprised to find that Paramguru is the DCP, out to get them. So they all gang up against him. In this process, a thrilling encounter takes place between the good and the evil. Paramaguru is helped in his fight against injustice by Divya (Meera Jasmine) who falls in love with him.

Romeo lives a wealthy lifestyle in Bangalore, India, along with his widowed mother. He had received considerable assistance and encouragement from Raj Mohan to dance and sing, and as a result gets very popular with young women. He meets and is attracted to Madhu, who is also his fan. His mother meets with Madhu’s grandfather and both arrange their wedding. Then Romeo finds out that Raj Mohan has been stealing body parts, especially kidneys, from patients in the Satya Moorthy Hospital, and then getting them killed via bus accidents. He meets with Raj and warns him that he is going to expose him publicly. Before he could that Romeo is shot, taken by ambulance, and thrown off of a cliff. His friend, Prakash, is blamed for this, is arrested, tried in Court, found guilty, and sentenced to life imprisonment. But Romeo survives, is looked after by tribal people, and several months later returns to Bangalore to expose Raj – only to find a look-alike, a Chandaal (Hindu Undertaker) named Badshah, from Bombay, has taken over his life, identity, love, and is residing in his very own home!

Adaptation of Indian mythology that depicts the triumph of good over evil.