Hell breaks loose for the families of a village where mysterious incidents take place after an unfortunate death on a very auspicious day. Later, a determined villager decides to uncover the truth.

In 1609 AD, Mitravinda, a princess, and Kala Bhairava, the warrior that she loved, die. 400 years later, the warrior is reincarnated as Harsha, a motorcycle stuntman. He brushes hands with a girl and sparks fly as he begins to recall his past life. Knowing that he is destined to love this young woman, he sets about trying to identify her. Indu does not remember her past life and keeps Harsha at a distance; playing tricks on him until she gets to know him better. However, just as the two begin to fall in love, a sinister force from their shared past returns!

The life story of Jesus is told from his humble birth through his teachings, crucifixion and ultimate resurrection.

Kicha Vayasu, a man known as the Collector, returns to his childhood city of Nagercoil to demolish an old school, which he recognises as his former school. His reminiscences of his school days in Nagercoil form the main theme of the film.
The film then transitions to when Kicha is a 16-year-old boy. After Nirmala, a teacher whom Kicha has a crush on becomes the headmistress of their school, Kicha, who often teases people around him, becomes very well-behaved towards Nirmala. Because of this, he often garners her support. However, Kicha, being his usual self, begins leading a group of errant boys who perform various misdemeanors around their town. This includes stealing and selling dishes from the school and eating in hotel restaurants without paying the bill.
Kicha and his friends are finally caught when they attempt to escape after not paying a hotel bill. The hotel owner thrashes them so thoroughly that the other boys inform the owner on Kicha and claim that he taught them to do such things. When the boys’ parents are notified of this, many become angry, claiming that Kicha has misled their children and made them wayward.

The bond between four close friends is put to test when one of them betrays the others because of unavoidable circumstances.

A young man places his best friend as a manager in his hotel; both of them like the same girl. She eventually falls in love with the manager and this causes a rift in their friendship.

Maari, a young village girl, is madly in love with Thangarasu, her cousin. She sacrifices her love in the hope that he will lead a happy life being married to a wealthy girl.

Diya is forced to get married to praveen after her identical twin sister nila manages to elope with her boyfriend vijay.

A man acquires a mansion and gifts it to his son. He doesn’t realize that the house is haunted.

A man falls in love with a woman and cons his way into her heart through lies. When she finds out and confronts him, he has no sign of remorse as he feels that everything is fair in love and war.

Karthi leaves his house realizing that his father Muniyandi is the reason for his mother’s suicide. Hence, father and son are at odds over everything.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.