The young heir of a rich family sets out to effect a reconciliation between estranged family members.

A radio jockey has a fan in the form of a girl who often sends song requests. Both fall in love talking over the phone. When it is time to meet face to face, the boy develops an inferiority complex.

Thenali Soman (Kamal Haasan) is a Sri Lankan Tamil who has come to Chennai for psychiatric treatment because of numerous phobias caused by his trauma of the Sri Lankan Civil War. Panchabhootham (Delhi Ganesh) and his assistant (Ramesh Khanna), the doctors treating Thenali, are jealous of a relatively junior doctor Kailash (Jayaram) getting all the media attention. They send Thenali over to him, believing his failure to cure Thenali of his phobias will derail his success. Soon after their first appointment, Kailash heads to his home in Kodaikanal on a vacation with his wife Jalaja (Devayani) and his two children Arjun (Master Suraj) and Aishwarya (Baby Taj Nisha). Kailash tells Thenali to wait until after the vacation before his therapy can begin, but Panchabhootham asks for Thenali to go meet Kailash while on vacation.

Two honest and bold police officers Adhi Narayanan, (Kamal Hassan) and Abbas (Arjun Sarja) devise a masterful plan to bring a terrorist group in control, and send two secret vigilance officers, named Anand and Shiva on an operation called Operation “Dhanush”. The objective is to infiltrate a terrorist group headed by a man named Badri, and relay information back to Abbas. After a year while relaying information to Abbas, Anand gets caught, but he commits suicide before the terrorists can interrogate him. With information relayed by Anand, Abbas and Adhi know that the terrorists are picking up someone important and going to Trichy.

The villagers believe the Rain Gods will favor them after the annual Thiruvizha, during which the deity is taken around the village on a wooden horse. They are in for a rude shock when the horse goes missing. At the same time, Azhagarsami, a youngster who earns his livelihood by ferrying loads on his horse, gets ready for his marriage. His horse also goes missing, and his marriage is put on hold. Do the villagers and Azhagarsami find their respective horses?

Velu agrees to go to jail for smuggling sandalwood to save his friend Karuna, whose aim is to become a forest officer. When Karuna’s true colors come out, can Velu save the forest and its people?

The story is set around the bulwark of honest and public good institution of everest. A journalistic anachronism at a time when media houses have become mouthpieces for corporate houses. It is helmed by the fearless Ayya (Vijaykumar), it has among its ranks an intrepid scribe Dheeran (Sarath Kumar). He is no journeyman journalist. He is writer as well as a doer. When the power of the pen looks like slackening, he uses the hands that push the pen, so to say. And then there is harried colleague Erimalai (Vadivelu), who is just a step away from trouble. Meghala (Nayantra) is an enterprising intern who drives Dheeran distraction. Dheeran runs into the evil axis of politico and police web as represented by the corrupt Minister Shanmuga Sundaram (Mukesh Tiwari) and a venal cop Alanakaram (Seema Biswas). Dheeran through his mixed ways frustrate all the evil plans of the duo. But a new water bottling plant of an MNC becomes a major confrontation issue. Dheeran goes hammer and tongs against the project, as it would be harmful to villagers. Dheeran painstakingly exposes all the chinks in the project. Shanmugasundaram has to come with a violent reprisal and he sure does and thinks he has done away with Dheeran. Did he? But Dheeran comes back from dead as a new man with renewed force. In the two years, Shanmugha Sundaram and Alankaram had come a long way. But Dheeran, slowly but stealthily, exposes them with a cunning of a mountain fox. He exposes all their bad deeds with clinching evidence.

The film revolves around a love story that went wrong due to a screw from a bike.

‘Mahaan Kanakku’ is a quality entertainer that graced Tamil cinema in recent times. The film stars Ramana and Richa Sinha in the lead roles and is helmed by Sampath, with music by AK Rishal Sai. Norway Tamil Film Festival – Tamilar Awards 2012 The film Mahaan Kanakku is about one problem that most people from the middle class have faced directly or indirectly. The issue is how the private banks in the country take ride on their customers, who are put to untold miseries. Ramana plays a MBA graduate who wages a battle against them. Filmmaker Sampath Arumugham seems to have gone the Shankar way in his maiden venture Mahaan Kanakku. In a nutshell, it is an individual’s crusade against the alleged high-handedness of some private banks in the country that fleece the borrowers in the name of interest. He has not made it very preachy. Ramana’s patience and perseverance seems to have been rewarded with Mahaan Kanakku. Check out the Tamil Movie Review – Mahaan Kanakku Jeeva (Ramana) is a happy-go-lucky youngster. He leads a contended life in Coimbatore with his siter Janaki (Devadarshini) and her husband Vardharajan (Srinath). For Jeeva’s higher education, Varadharajan obtains loand from OCOC bank. Though he repays the loan, for no reason he is harassed by bank officials and collection agents. He is humiliated by them at his workplace and his residence too. Unable to bear their tortures, Varadharajan commits suicide with his family. Only after their death, Jeeva comes to know about the incident. He now vows to teach these private banks a lesson. Jeeva lands in Chennai with a mission now. He fakes his identity and uses all loopholes in the legal systems and borrows huge money from banks. One fine day without repaying them, he disappears. Ow the bank officials run behind him. Eventually he is caught and brought to a special court where he throws light on the attractiveness of these banks and gives a call that private banks be nationalized for they have spelt doom on many families. The director deserves praise for his guts to handle such serious theme. But at no point it goes preachy or dull. His crisp dialogues add strength. Three cheers to the filmmaker for handling a theme like this. He promises a lot and hopefully delivers more in days to come

The film commences with friends and family of an ailing village head, Malaichami (Sivaji Ganesan), gathered around him on his death bed. The plot then moves along in a series of flashbacks, featuring significant episodes of the dying man’s life. These include the presence of a boatman’s young daughter Kuyil (Radha) in his village. The protagonist is unhappily married to a shrewish wife by the name of Ponnatha (Vadivukkarasi), and seeks comfort and solace in a friendship with Kuyil. The friendship raises eyebrows, and is socially awkward and complicated for both Malaichami and Kuyil.

A young man meets his childhood love one rainy night in the city of dreams. When they both realise that the desire for more can ruin what is special between them do they listen to their head or their heart?

Nandhu, a financier, journeys through the struggles of his internal guilt while searching for his mortal rival. We follow him, as if we are a reflection of his shadow, eventually leading to us to only one question…will Nandhu su…