A village ruffian, who settles disputes in his native, takes on a big shot when he tries to sort out the rough patch in his marriage after several years.

Saroja is born in a very poor family and is raised by her mother. However, in order to raise her children, Saroja’s mother resorts to prostitution.

An orphan girl, after craving for mother’s love since childhood, starts finding it in an elderly woman, who was abandoned by her own son.

A retiring police officer remembers a thrilling case of his life which is not recorded in any case files.

As a CODA (Child of Deaf Adults) Ruby is the only hearing person in her deaf family. When the family’s fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents.

Bandham is a 1985 Indian Tamil film, directed by “K. Vijayan” and produced by , “Anandavalli Balaji” The film stars “Sivaji Ganesan, Kajal, Kiran, Shalini, Anand Babu” in lead roles. The film.

A rich estate owner is killed by his second wife and her brother Aadimoolam (Radharavi). The estate owner’s son Raja (Rajinikanth) returns from the USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupathi (Janagaraj), a rickshaw puller, act as Raja. But soon, Aadimoolam learns of this and kills his own son and frames Raja as the killer. Raja is sentenced to death. In between, Raja loves Senkamalam (Radha), sister of an employee in his estate. in the same village where Raja lives, there exists his lookalike, Chinnaraasu (Rajinikanth again), whose aim in life is to wed his sweetheart Lakshmi (Nadia). Raja escapes from jail, meets Chinnaraasu and makes Chinnaraasu take his place in jail. After many twist and turns, Raja brings the culprits to book. At the end, Raja marries Senkamalam and Chinnarasu marries Lakshmi.

She was forced into prostitution. She is considered less than human. She is full of anger. Now she recounts her brutal life story to a documentary filmmaker.

Bhuvana, A lonely girl who is parentless longs for true love and parental care. Though Bhuvana is a granddaughter of a rich businessman he has no time to spend time with the child. The child wants to travel in the Rickshaw along with other children and she wants to be with Rickshaw Mama (Rickshaw uncle) aka Raja who takes of care of kids with love. Bhuvana is been attempted to kidnap and Raja saves her. Bhuvana is very adamant to go to school in the Rickshaw and her care taker appoints Bhuvana to drop in and pick up from school. Initially Rickshaw Man wonders why is he appointed for pick-up and drop when the child itself is rich enough. Later finds out that the girl is longing for love and affection. He takes care of Bhuvana with full affection and care and looks after her like a father. Since Bhuvana is under his care the kidnappers are not able to kidnap her. Raja brings home a woman and she is very fond of him and she starts loving him. However she is jealous of the child and Raja’s affection for the girl, she wanted him solely for her. She drives away the child by saying that Raja will love and take care of his own kid only rather than her. This drives Bhuvana crazy and she runs away. Unfortunately meeting with an accident. Bhuvana is admitted in the hospital and her grand father comes to visit the child. Rickshaw man finds the truth and rushes to see her in the hospital. The grand father is shocked to see him and asks his men to drive him away and Raja is injured. He also finds the truth that the child is his own daughter.

Baasha dies just few days before the assembly by-Election for Mylapore constituency while the election campaign by the political parties are in full swing. Various obstacles faced to bury the deceased are revealed.

The film is a crime thriller that revolves around the lust for power. The film portrays the activities of underworld and is based on the theme that inspite of many laws that are enforced, crime and criminals never end.

Akhil and Pooja have a love story with a touch of comedy, where they confront their ideas of married life.