Two college students, the slum child Raja and the dean’s daughter Roja, chat with each other over the Internet and fall in love. However, Roja is engaged and Raja cannot bear to disrespect her father, to whom he owes his livelihood.

A team of losers attempt to pull off mass revenge against a past traitor. They are required to win a dance competition as part of the plan, they get entangled with the presence of a somewhat unintelligent local dance performer who cannot learn the backstory of the betrayal.

Based on true incidents, a south Indian Hindu man falls in love with a Muslim woman–taboo in the small village from which they hail. They marry against family wishes and move to Mumbai, where he works as a reporter for a large daily newspaper. Eventually, the couple has twin boys. The rest of the film is set during the December 1992-January 1993 period when the Ram Janmabhoomi-Babri Masjid controversy raised religious tension in Mumbai and other parts of India, which sparked rioting and violence. The couple is separated from their children, and the fathers of both parents are killed when their home is burned by rioters. A reporter is shown interviewing politicians from both factions as well as the police. An underlying moral of thinking of oneself as an Indian rather than a Hindu or a Muslim is prevalent throughout the latter part of the film. The family is finally reunited after much searching through hospitals, morgues, and shelters.

Venugopal, a wealthy industrialist, marries a woman named Sushila and they have quadruplets. His brother Nandagopal tries to have her and the newborns killed by hired goons. However, the leader of the goons has no desire to kill the babies, so he adopts one (Michael), leaves one in an orphanage (Raju), one in a temple (Kameshwaran) who is picked by Palakkad Mani Iyer, a Brahmin, and one (Madhan) in a car that belongs to Venugopal.
30 years later, Madhan is now a London-educated businessman. Venugopal has raised Madhan as his adopted son, not knowing that he is his biological son. Venugopal is killed by Nandagopal and his nephew, Ramu for his inheritance, but unknown to them, the will has already named Madhan as the beneficiary.

Uzhaikkum Karangal is a 1976 Indian Tamil film, directed by K. Shankar and produced by Kovai Chezhian. The film stars M. G. Ramachandran and Latha in lead roles. The film had musical score by M. S. Viswanathan.

A gang robs a large donation to an orphanage for needy children and how do the protagonist and his friends recover from the disaster? and the struggle which takes a dangerous twists and turn from which they recover the lost gift?

A touching emotional connection between a father and daughter and how politics and society impact their way of life.

Raghu meets with an accident and loses his sight. Years later, Dhanasekhar, Raghu’s best friend, decides to donate his eyes to Raghu before he dies.

After the passing away of her parents in an automobile accident, Radhika moves in to live with her aunt, Malathi, and studies Zoology in Lexicon Science College. She is very friendly with Basu Subtankar and both, along with other girls, create quite a ruckus, much to the chagrin of their teachers and the College Principal. In addition to this, they are also staunch rivals of NRI Geetha Damodar, who wants to be the Student Chair. Radhika competes, there is a tie, but the teachers overturn Radhika’s votes due to many complaints against her, and elect Geetha as the Chair. When Malathi wants Radhika to wed, both girls create a fictional character, name him Ramesh, and tell Malathi that Radhika is in love with Ramesh. Complications arise when a real male named Ramesh surfaces, is subsequently killed, and the duo become suspects amidst a web of deceit and lies created by one of four persons in their lives, namely Malati herself, Geetha, a mysterious woman who sometimes poses as Ramesh’s mother and other times as Geetha’s guardian, and an fourth unknown person – leading the duo to a roller-coaster ride with both the police and the real killer on their tails.

It is the Tamil remake of ‘Big’. SJ Suryah is a young man with an immature mind. He falls in love with Simran and gets married to her. The troubles that they encounter form the story.

At a remote Dhaba in Atikapamala, 20 km from Suryapet, Vijayawada, a young boy named Nandu pulls out a gun and kills the local don, Vanka Suri. Fleeing to Old City, Hyderabad, Nandu is spotted by Sadhu (Rahul Dev), a local don who is impressed with Nandu and takes him under his wing. Sadhu and his gang plan to rob the local bank with the help of Nandu and a few other kids. The heist goes off smoothly, but Sadhu is betrayed to the police by one of his lieutenants, Narsing. At the local police station, the police beat up Sadhu, while the corrupt SI and Narsing divide the money between themselves. Nandu creates a distraction by causing a short circuit and escapes with Sadhu and another kid, Malli. Sadhu tells the two of them to run away and leave him, since the SI might find and kill them. Nandu calmly replies that he won’t, because he has already killed the SI.

Naveen (Naveen), Sendrayan (Sendrayan), Kuberan (Kuberan), and Vellaichami aka White (Rajaji) are four youngsters. The story begins with a meeting of them in a police station where they are held in connection with a robbery case. Disillusioned with society and their place in it, they plan to rob White’s treacherous uncle, who they believe has left for a pilgrimage with his entire family. Instead, they find them at home and get involved in a quagmire involving moneylenders, enforcers and the mafia.