It involves culture of Kambala and Bhootha Kola. A human and nature conflict where Shiva is a rebel who defends his village and nature. A death leads to war between villagers and evil forces. Will he be able to regain peace in the village?

A man, surrounded by birds, hangs himself to death at a cell tower. Elsewhere, the scientist Vaseegaran introduces Nila, his new humanoid robot, to a group of students. A little later, a student’s smartphone starts flying all on a sudden, exhibiting avian characteristics. Before long, cell phones all over Chennai begin to fly away, leaving the city in chaos. At an emergency council meeting initiated by the government, Vaseegaran enunciates that it is beyond conventional science to fight what he considers a fifth force, and proposes reinstating Chitti, which was dismantled in 2010. But Dhinendra Bohra, who lost his father, Professor Bohra, to Chitti’s anger,[a] opposes, and the council decides to seek help from the military, thereby vetoing Vaseegaran’s proposal.
The growing stream of cell phones leave havoc in its path, killing a mobile phone wholesaler Jayanth Kumar, a transmission tower owner Ranjit Lulla and the state’s telecom minister Vaira Moorthy. To prevent further damage, S. Vijay Kumar, the Home Minister, unofficially gives Vaseegaran permission to rebuild Chitti. Chitti traces the mobile phones, which have taken the form of a giant crow, and they fight, during which Chitti’s battery power is depleted and it starts searching for a power source amongst three huge signal transmitters. To Chitti’s surprise, the crow is unable to penetrate the field of transmitters and suffers damage while attempting to do so.

Vandiyathevan, sets out to cross the Chola land to deliver a message from the Crown Prince Aditha Karikalan. Kundavai attempts to establish political peace in the land seemingly civil war plotted by vassals and petty chieftains.

Parents of first cousins, Sujatha and Raghu, decide that they will get the children married to each other on becoming adults. But Raghu becomes a troublesome character as he grows up.

The movie is about a loyal servant, Muthu (Rajni), working for Zamindar Malayasimman (Sarath Babu) and the cunning plans by the uncle of Malasimman to capture the whole wealth which uncovers some mystery about Muthu.

A girl wakes up in a secret laboratory and meets Kyung-hee, who is trying to protect her from a gang. When the gang finally finds the girl, they are overwhelmed by an unexpected power.

Contract killer AKP (R. Amarendran) and his two sidekicks (one of which is a driver that does a full 360-degree flip from the car window and opens the door, allowing AKP to exit from the passenger seat) arrive at a club. The group walks into the club and starts showing their power before reaching their table. A finger with a ring is placed on the table. Pandian (Vishnu Vishal) considers himself unlucky. All his efforts to come up in life end on wrong side. He approaches AKP and urges to kill him. A shocked AKP is initially hesitant. Soon, he decides to give him some time. Hence, he gives Pandian some money and entrusts him with a job of turning a human bomb, a job that he should execute within 20 days. Life changes for Pandian after he meets Vaishnavi (Piaa Bajpai). They fall in love with each other. When Pandian decides to go tell AKP that he would rather prefer to live, he gets a rude shock: AKP and his men are found murdered. The blame falls on Pandian. Meanwhile, Vaishnavi gets kidnapped by a gang for a big deal. It is chaos and confusion everywhere, before Pandian sets things right.

Adaptation of Indian mythology that depicts the triumph of good over evil.

A robbery takes place where European printing plates are stolen. A man decides to use this to his advantage and seek revenge for a past matter involving the death of his wife.

The film revolves around Alagar (Nataraj), who takes care of the family’s red chilli business. But he spends most of the time with his friends and leads a happy life till he comes across three brothers who control Madurai. He earns the wrath of the evil brothers while trying to save a girl called Thenmozhi (Poongothai). How our one man army successfully defeats the baddies and joins hands with his ladylove.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

A couple faces challenges to raise their five sons, but they don’t compromise on their needs. After the children grow up and get married, it gets difficult for them to stay in a joint family.