Trained young policeman goes undercover in the gang of the most dangerous mafia boss in Bulgaria.

Vishal (Riaz) and Dr.Vasudevan (Yog Japee) wake up one day to find out that they both are stuck inside a square room devoid of any furniture. The only other element in the room apart from the two of them is the dead body of a man lying in the middle of the room, blood soaked. Vishal and Dr.Vasudevan do not know each other. Soon, Vishal realises that there is a tape recorder near him, he finds a cassette in his pocket, which he plays. The cassette welcomes him to the SQUARE and tells him that his only way of escaping is by finding a clue that only the guy opposite him can see. Soon, Dr.Vasudevan plays the cassette from his pocket and the recording again welcomes him to the SQUARE and tells him that he has been doing a lot of good by saving lives as a Doctor and yet he has committed a grave mistake which he is now getting punished for. He is told that there is only 8 hours remaining for him to escape and his escape would only be by killing the one opposite him.

The film begins with Arivazhagan (Shirish Saravanan) along with his friend locking up an unknown man and torturing him with a camera filming the whole incident. The movie then turns to a flash back, where Arivu narrates how happy he and his family was. Arivu who is a writer for a press and the eldest son of a retired Police Head-constable and his wife, has a brother named Madhi who is a 1st year Engineering student. Arivu’s Middle-class family life is however happy with his friend Kumar (Sendrayan) mingling as one of the family. Problem begins when Madhi who is pressured by his Girl friend to get an expensive bike, persuades his family to get him a bike. Though hesitant at first, they agree to get him a bike of his choice. However, delay in getting his bike and seeing his classmate Ganesh (Nishanth) spending casually makes him curious to know what he does for money. This is when he is introduced to the heinous crime of chain snatching. Ganesh introduces him to Guna (Bobby Simha) who is heading a gang of young college going chain snatches. Madhi joins the gang and starts to earn through chain snatching, and gets all the things he wants. [3]

Based on the true story, Anu and Arjun revolves around the Indian call centre scam that shook the world. Known as the greatest IT scam, the offenders managed to steal millions of dollars from the United States of America.

A budding director tries to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

A gas tanker is attacked by a gang of Somali pirates in the gulf of Aden. The Russian Navy sends a destroyer to free the hijacked ship.

A man burdened by his debts decides to steal money from a bungalow to pay off a loan shark. However, he must deal with the dog guarding the door first.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

An honest cop tries to track down a suitcase filled with ₹5 crore worth of unaccounted cash that belongs to a businessman. With at least a dozen individuals after it, can he recover it before it falls into the wrong hands?

On a fine day, one murder, one missing case and an accident case happens on the same day involving inspector Vikram who starts investigating all the three goes clueless with no evidence left behind. What happens next? Does he solves the mystery and succeed in his mission?

A 14-year-old forlorn Kalyani delivers a boy in seclusion, fearing societal backlash and incapacity. She abandons him, heavy-hearted, placing him inside a moving goods train, which a slum dweller finds. The slum procures him as their common child, naming him Surya and they collectively raise him honest. He grows up, intolerant of injustice especially to the poor, though he wonders why his biological mother had impetuously abandoned him. A yellow shawl was the only identity he had of his mother, which she had placed him in when casting him away.
Devaraj, a powerful don who is kind yet feared by most in the society, also fights injustice, but by violent means. Ramana, an auxiliary of Devaraj’s, whose abusive demeanour led Surya to attack him, succumbs to his death. Surya gets apprehended for this. An exasperated Devaraj soon perceives Ramana’s felony, realises Surya’s cause was genuine and bails him out. Thus, Surya and Devaraj get to understand each other as both share similar social ideologies despite getting off on the wrong foot. Devaraj declares Surya his “Thalapathi”, a best friend.

A police officer investigating a drug ring finds himself the subject of a smear campaign after he threatens to expose corruption.