A historical epic inspired by true events that took place in The Kingdom of Dahomey, one of the most powerful states of Africa in the 18th and 19th centuries.

The film is an emotional action thriller which is based on friendship between two boys who work in a wine shop.

A man is shocked when the antique idol that he is trying to smuggle out of the country suddenly comes to life.

The film starts in a courtroom where a woman Janaki (Meena) is fighting for divorce from her husband Pandian (Kamal Haasan). She offers various reasons for wanting a divorce. She has married Pandian against the wishes of her rich father Vishwanathan Iyer (Gemini Ganesan). But she isn’t able to come to terms with living in Pandian’s small house without amenities. Pandian is an assistant dance director with a modest income and is not able to spend much time with the family. All this accumulates and Janaki decides to apply for divorce, which is granted. The court orders that Pandian can meet his daughter Barathi, once a week and this is his only solace. His daughter, however, loves him a lot and doesn’t like the arrangement. Basha (Nassar), Pandian’s Muslim friend who works in a hotel as a chef, advises him to steal his daughter from Janaki. Pandian goes about trying to do as his friend suggests. In doing so, he is discovered; and now he cannot meet her at all. Then Pandian finds out that Vishwanathan Iyer has advertised for a woman to look after his granddaughter. Joseph (Nagesh) is a makeup man in films. In conversation with him, Pandian gets the idea of playing an old woman, so that he can be with his child and ex-wife without knowing them. Joseph agrees to this plan and the transformation is done from Pandian to “Avvai Shanmugi”– (also Kamal Haasan) a dignified, elderly Iyer woman, who is hired to take care of the little girl.

An unhappily married aristocrat begins a torrid affair with the gamekeeper on her husband’s country estate.

The film revolves around the family of Jaikodi Thevar, who has two wives. Jaikodi is a respected landowner whose family has helped develop the village for generations. However, his first wife Sevanamma (Viji Chandrasekhar), and her elder brother Veera (Vela Ramamoorthy) control the local gangs and are feared by the villagers. As a result, Jaikodi prefers to live with his second wife and her children (Parthiban (Kathir) and Prema. Because of her husband’s preference of his second wife, Sevanamma dislikes her and her children. Veera blames his brother-in-law’s second wife and her children of destroying his sister’s life and hates them too. The only member of the first wife’s family that accepts the second wife’s family is Jaikodi’s drunkard eldest son, Boologarasa (Kalaiyarasan). However, he is often powerless against his mother and maternal uncle.

Set at late 20th century, Kabilan a boxing fan never played boxing. Under circumstances he made his entry successfully. After few days Kabilan turned into a henchman and also an unfit boxer. Did he made his successful career again.

Follows two brothers, one a criminal and the other an ordinary person, as they become closer after their mother’s unexpected death, and the younger one tries to bring out the elder on Parole to perform the mother’s last rites.

A teenage girl in the Midwest becomes infected by an outbreak of a disease that slowly turns the infected into cannibalistic zombies. During her transformation, her loving father stays by her side.

Hours after the tragic death of their youngest brother in unexplained circumstances, three siblings have their lives thrown into chaos.

The life of an auto driver becomes a mess due to unexpected issues in the family.

A poor laborer Kalyani (Ram) is devoted to his young daughter Chellamma (Baby Sadhana), but the child has problems at school with her studies, classmates, and teachers. Kalyani wants Chellamma to be happy, no matter what. Kalyani is a man who toils pretty hard to meet both ends, thereby trying not to live in his father’s (Poo Ramu) shade, but is forced to. Chellama is a sweet, angelic girl who fares below average in the class but is all chirpy and gleeful when she is with her father. Without a proper job and an income the tension that prevails in the house forces Kalyani to take up a job far away from the reach of Chellamma. ‘Thanga Meengal’ is a coming-of-age story of an unfit father struggling to make ends meet, told through the eyes of his eight-year-old daughter.[9] The film offers a critique of primary education in Tamil Nadu and makes poignant observations through social commentary.