A female cop has a tough time trying to strike a balance between answering nature’s call and her duty.

Konjum Kili (Tamil: கொஞ்சும் கிளி) is a Tamil-language film which is Directed by T. P. Gajendran & performed by Saradaprita, Raghuvaran and Released in 1993.

The film is a triangular comical thriller set inside a pub and Narayan plays the character of a bartender. What happens within one night forms the movie plot.

When Saravanan goes to Hyderabad, Kanniah plagiarizes his script and pitches it to a producer, under the condition that he has to play the hero in the film. Impressed by the script, the producer agrees to the condition. The movie turns Kanniah, now rechristened Dilipkanth, into a star. Saravanan does not give up and creates another story. However, he finds out he cannot make his film unless Dilipkanth plays the hero. Because of this, they lead into minor problems, which annoy Saravanan and their team. The shooting starts with Dilipkanth as the hero but is halted midway, owing to various tantrums thrown by the new opportunistic hero. Determined to finish the movie, Saravanan seeks the help of his crew and friends in the cinema industry. Unknown to Dilipkanth, Saravanan and his crew manipulate him into situations that match the storyline of the movie they are shooting for, and capture Dilipkanth’s live reactions. They manage to fool Dilipkanth and finish shooting the climax of the film even as the self claimed new star makes a fool of himself. A few days later, he is invited to watch the premiere of the movie and is shocked to see the recent events of his life unfold on the silver screen. He soon realizes the effort put in by Saravanan and crew and feels humbled. He genuinely acknowledges the talent of the director and leaves the place, apologizing to Saravanan for his pathetic behavior and agreeing that Saravanan is better than him in a very mannered way.

Raju a poor person wanders as Galodu. Shukla loves the hero even though she is a rich girl with a good education. Why does the heroine fall in love with Raju?

When giri marry’s her sister to a man in chennai and comes to visit the city his friend his brutally murdered by gangsters. He decides to murder the three gangsters ruling chennai to make the city a better place.

This film depicts the disputes between two forms of the dance styles and music, Classical Indian (in particular Carnatic music and Bharathanatyam danceform) against rural Tamil folk music and dance. The film depicts the misunderstanding and mutual ignorance of the two factions. The parallel plot in the movie is of the children and intended successors of the respective dance doyens falling in love with each other. The climax ends with a consensus of both the music genres as well as the young couple, hence the name Sangamam.

Arjun (Shaam) heads a dance troupe and Priya (Tanu Roy), one of the dancers in the troupe is in love with him. Their aim is to be the permanent fixture at the hotel of Giriprasad (Richard Rishi), a millionaire. They lose the competition but still see their dream realised when the lead dancer in the winning troupe dies. Soon, Giriprasad falls for Priya and his sincerity makes her reciprocate his feelings.

Dharmaraja is a renowned builder. Raj plans to hinder Dharmaraja’s works and the building is in a state of danger. Ashok finds out about the issues and warns Dharmaraja but gets caught in an accident and goes into a coma.

Surya (Allu Arjun) is an soldier in the Indian Army who suffers from anger management issues and dreams of being posted at the LOC. After getting into a brawl at a local club and attacking Inspector Pradeep Negi (Ravi Kale) and stealing the latter’s gun, Surya uses it to shoot dead a terrorist right when the officer comes to ask for his gun from Surya’s senior Col. Sanjay Shrivastav (Boman Irani). After being court martialled for indisciplinary action, Surya’s godfather (Rao Ramesh) requests Shrivastav to give Surya a final chance. Shrivastav agrees on the condition that Surya gets a signature of approval from the country’s top psychologist and the Dean of the Institution of Psychology and Foreign Languages, Dr. Ramakrishna Raju (Arjun Sarja), who happens to be Surya’s estranged father.

An inebriated filmmaker finds himself in a shocking situation when he realises that the mysterious girl who accompanied him to her room has been killed.

Based on true incidents, a south Indian Hindu man falls in love with a Muslim woman–taboo in the small village from which they hail. They marry against family wishes and move to Mumbai, where he works as a reporter for a large daily newspaper. Eventually, the couple has twin boys. The rest of the film is set during the December 1992-January 1993 period when the Ram Janmabhoomi-Babri Masjid controversy raised religious tension in Mumbai and other parts of India, which sparked rioting and violence. The couple is separated from their children, and the fathers of both parents are killed when their home is burned by rioters. A reporter is shown interviewing politicians from both factions as well as the police. An underlying moral of thinking of oneself as an Indian rather than a Hindu or a Muslim is prevalent throughout the latter part of the film. The family is finally reunited after much searching through hospitals, morgues, and shelters.