A group of men from different sections of society faces discrimination from Pseudo feminists. They decide to fight with #MenToo because they believe men are victims too.

After a night of revelry, Ravi wakes up to find that his world has gone topsy turvy. Ravi’s grasp on reality weakens as the number of bizarre events piles up, and he loses control over his life.

It’s love at first sight for Seenu ( Vishwa) when he comes across Mithra (Tanvi) en route to his college. Seenu is delighted when he learns that they are classmates and even manages to win Mitra’s friendship. But fate intervenes in the form of Mitra’s childhood buddy Sam ( Irfan).

Guruji (Gurmeet Ram Rahim Singh) is a spiritual leader who has a huge follower base. He has accepted the challenge of eradicating social evils including drugs and gender-related issues that have been prevailing in the society. Those with vested interests and apathetic towards the welfare of the society are now disturbed as there’s someone who has taken control of the situation. They conspire to kill him.

A seemingly down-to-earth guy Arun (Arvind Swamy) leads a life of a computer hacker by day and thief by night. When he meets Madhu (Isha Koppikar) whom he fancies, he wishes to turn over a new leaf. But Arun’s rogue brother, who has been blackmailing him since young to do his dirty deeds, does not think likewise. A deep love-hate relationship between them which unfolded during their childhood days traps Arun into a life of crime. How Arun chooses between his family and love forms the crux of the story.

The spoiled daughter of a wealthy man falls in love with a childhood friend.

Four immigrants (Pandi, Murugan, Afsal and Kumar) are detained by the local state police, tortured and forced to admit to a crime they have no knowledge of. When all hope seems to be lost, a policeman from their hometown speaks on their behalf at the court hearing, setting them free. The policeman asks for a return favor and the boys oblige, oblivious to the consequences that await them. As they unwittingly bear witness to a political treason, the system seeks to silence them at any cost. But Pandi is determined to be heard.

Sundaravadivelu (Vijayan) is a wealthy school manager and a landlord who is a hedonist and a sadist. He finds pleasure in torturing people emotionally including his own family members. He also siphons the school’s money for his own needs. His wife Lakshmi (Ashwini) is a goodhearted homely wife, and he has two children.

According to review by IndiaTimes:
The movie starts with a chase sequence – a girl is being chased by a bunch of goons as per the order of a dreaded politician. Four boys come to her rescue and she is taken away by them in a car. The chase continues for around an hour’s time, in the course of which two of the boys lust after her. The third guy wants to get rid of her to avoid unnecessary consequences, and the fourth guy falls in love with her. The worse thing is, the girl, too, loves him back without any convincing reason. Even when the indefinite car chase happens, with the goons yelling ‘thookku da’, ‘poda’, ‘vaada’, and so on, we are shown two songs featuring the hero and heroine. The latter half of the movie is hilariously terrible with some pointless skin show, never-ending fight sequences, funny dialogues and bizarre background score. This is a film which shouldn’t have been made.

The story is said to address women’s issues and Sadha plays the role of a sex worker.The movie is said to be based on the true incidents in 1990’s on the highways of Tamil Nadu and Andhra.

It involves culture of Kambla and Bhootha Kola. A human and nature conflict where Shiva is the rebellion who works against nature. A loop leads to war between villagers and evil forces. Will he able to replace peace in the village?

The story is set around the bulwark of honest and public good institution of everest. A journalistic anachronism at a time when media houses have become mouthpieces for corporate houses. It is helmed by the fearless Ayya (Vijaykumar), it has among its ranks an intrepid scribe Dheeran (Sarath Kumar). He is no journeyman journalist. He is writer as well as a doer. When the power of the pen looks like slackening, he uses the hands that push the pen, so to say. And then there is harried colleague Erimalai (Vadivelu), who is just a step away from trouble. Meghala (Nayantra) is an enterprising intern who drives Dheeran distraction. Dheeran runs into the evil axis of politico and police web as represented by the corrupt Minister Shanmuga Sundaram (Mukesh Tiwari) and a venal cop Alanakaram (Seema Biswas). Dheeran through his mixed ways frustrate all the evil plans of the duo. But a new water bottling plant of an MNC becomes a major confrontation issue. Dheeran goes hammer and tongs against the project, as it would be harmful to villagers. Dheeran painstakingly exposes all the chinks in the project. Shanmugasundaram has to come with a violent reprisal and he sure does and thinks he has done away with Dheeran. Did he? But Dheeran comes back from dead as a new man with renewed force. In the two years, Shanmugha Sundaram and Alankaram had come a long way. But Dheeran, slowly but stealthily, exposes them with a cunning of a mountain fox. He exposes all their bad deeds with clinching evidence.