‘Mahaan Kanakku’ is a quality entertainer that graced Tamil cinema in recent times. The film stars Ramana and Richa Sinha in the lead roles and is helmed by Sampath, with music by AK Rishal Sai. Norway Tamil Film Festival – Tamilar Awards 2012 The film Mahaan Kanakku is about one problem that most people from the middle class have faced directly or indirectly. The issue is how the private banks in the country take ride on their customers, who are put to untold miseries. Ramana plays a MBA graduate who wages a battle against them. Filmmaker Sampath Arumugham seems to have gone the Shankar way in his maiden venture Mahaan Kanakku. In a nutshell, it is an individual’s crusade against the alleged high-handedness of some private banks in the country that fleece the borrowers in the name of interest. He has not made it very preachy. Ramana’s patience and perseverance seems to have been rewarded with Mahaan Kanakku. Check out the Tamil Movie Review – Mahaan Kanakku Jeeva (Ramana) is a happy-go-lucky youngster. He leads a contended life in Coimbatore with his siter Janaki (Devadarshini) and her husband Vardharajan (Srinath). For Jeeva’s higher education, Varadharajan obtains loand from OCOC bank. Though he repays the loan, for no reason he is harassed by bank officials and collection agents. He is humiliated by them at his workplace and his residence too. Unable to bear their tortures, Varadharajan commits suicide with his family. Only after their death, Jeeva comes to know about the incident. He now vows to teach these private banks a lesson. Jeeva lands in Chennai with a mission now. He fakes his identity and uses all loopholes in the legal systems and borrows huge money from banks. One fine day without repaying them, he disappears. Ow the bank officials run behind him. Eventually he is caught and brought to a special court where he throws light on the attractiveness of these banks and gives a call that private banks be nationalized for they have spelt doom on many families. The director deserves praise for his guts to handle such serious theme. But at no point it goes preachy or dull. His crisp dialogues add strength. Three cheers to the filmmaker for handling a theme like this. He promises a lot and hopefully delivers more in days to come

The Akkamma Goddess (Bhanu Priya) stays on eight hills, and all her powers are guarded by the certain evil powers called ‘Gharula Kota Shakthulu’. To free Akkamma from these evil powers, any one who is born in ‘Simha Rasi’ is needed to sacrifice themselves. A group of four sisters, who grow up under Akkamma Goddess, sacrifice themselves and make the goddess free from these evil powers. As the sisters help the goddess, to get out of from trouble, Akkamma accepts them as her sisters and all the five start protecting the village. During this time in the same village, a lady named Rajeshwari (Radhika) prays to these five sisters. At the same time a dreaded monster, Karkotakudu (Sathya Prakash) lands on earth. He decides to damage and seize the earth but comes to know that he would die in the hands of Rajeshwari who is born in ‘Simha Rashi’.

Meenakshi Kadhalan Elangovan is a story about two young lovers who live in an orthodox village. They do not have many things in life, except their love for each other. But there are people in their lives who are not happy with their love for each other. Will they be able to conquer all objections and live happily ever after?

The film is an amateurish exercise that struggles to keep us hooked, mainly due to the bland performances.

Rajesh ( Sarath Babu ) is a happy family man living with his wife Preethi ( Saranya ) and his daughter Abhi.His friend is Vinodh ( Y.G Mahendra ).He meets Capri ( Silk Smitha ) by chance. Preethi’s mother falls sick and she starts to her home town. On a rainy evening, he mets Capri and starts an steamy affair by chance. She starts haunting him and makes him worried. Preethi senses something weird and suggests for a long holiday. They enjoy their trip while Capri searches him .All her attempts go in vain. Rajesh asks her to forget him but she announces her pregnancy .He is shocked and denies to accept the child . Rajesh’s friend suggest him to go away far from the city so that he lives in peace. Capri has a bad past . she was married and got pregnant but lost her husband and unborn child in an accident.She becomes mentally sick and in the future she owes to keep Rajesh with her forever.She follows Rajesh and finds his new house . Rajesh and family leave for a party to Vinodh ‘s house .Capri kills the rabbit in Rajesh’s house and places it in a pressure cooker. He tells his wife about the affair. Preethi calls Capri and warns her not to disturb her family. The next day their daughter goes missing. Capri takes Abi to a park. Preethi gets hit by a car during the search.Rajesh gets violent and tries to kill her. He seeks the help of police to save him from this issue . After a day, Assistant commissioner warns him to be safe as Capri goes missing. She comes in search of Preethi and tries to kill her. Rajesh fights with Capri meanwhile Preethi shoots Capri to save Rajesh. The court releases preethi as she had shot Capri for self-defense. The movie ends on a happy note.

Somu (Sriram), an affluent NRI who returns from the US for a reunion with his schoolmates in India. When his childhood sweetheart Chandini (Gor) doesn’t turn up, Somu continues his search for her.

Ponmagal Vandhal (Meaning: The Precious Princess has Arrived) is a courtroom drama that takes place in Ooty. Jyotika plays the lead in the film alongside various other veteran actors playing important roles.

Vizha is a rural love story between a ‘thappu’ artist and an ‘oppari’ singer, two people who thrive on deaths for a living. The rest of the movie is about the typical obstacles that they are faced with and how things resolve in the end.

College students, Shakthi and Josesh, fall in love with girls of the same family. When the family learns about the love affairs, they are ready to go to any length to save their honour.

The film is about Shobha, young Tamil woman, who lives in Kolkata with her husband Sekhar, a reporter for a daily newspaper. She is grappling with unknown tensions in her four year long marriage which leads to her form a complex relationship with her new neighbour Manohar, a middle-aged reclusive Tamil man, who has a mysterious past of his own. Meanwhile, Sekhar, unknown to Shobha, is drawn to his fellow reporter, Divya, a forthright Bengali girl who is open about what she wants in life. Soon, in this quadrangular tangle of lives, secrets are revealed that make Shobha decide on making a change. Set in the fascinating city of Kolkata, the film tries to explore themes such as guilt, redemption and female sexuality in the context of an Indian marriage.

In 1943, as the Second World War rages on, India is fighting a war of her own: independence from British rule. Subash Chandra Bose, founder of the Indian National Army (INA), has become disenchanted with Mahatma Gandhi’s Ahimsa (non-violent) movement and desires to fight fire with fire. Recognizing the growing dominance of Imperial Japanese Army in the Indo-China region, the INA allies itself with the Japanese, hoping to ride the wave to Delhi. Indian troops in the British Indian Army are locked in pitched battles with both the INA and its Japanese contingent. In one such skirmish close to the Indo-Burma border, Jemadar Nawab Malik (Shahid Kapoor) and a group of fellow soldiers are cornered by the Japanese infantry. Running to escape on a barge, he is shot and captured as a prisoner of war. Meanwhile, the INA’s top brass desperately seeks finances to replenish its heavy ammunition to aid the charge to Delhi.

Rohan Bhatnagar (Hrithik Roshan) is a kind, happy young man who has been blind since birth and works as a voice-over artist for a living. Through friends, he meets Supriya Sharma (Yami Gautam), a working woman who is also blind, but proudly independent. The two fall in love and get married.
One night, on their way back home after dining out, they are interrupted by Amit Shellar (Rohit Roy), a local goon and younger brother of Madhavrao Shellar (Ronit Roy), a well-known politician. He and his friend Wasim, drunkenly misbehave with the couple, enraging Rohan, and they have a heated exchange.