When Paaru sees a fairy tale she heard from a stranger as a child painted across the walls of a coastal town, she goes in search of the man who painted it-Maara.

The idea of true love and hope shown through several characters and their slice of life.

The guy and his cousin fall for each other but separate due to ego clashes. Years later, when their grandmother falls ill, they are forced to confront each other.

Upon being terrorized by an oppressive Portugual regime, legendary naval chieftain Kunjali Marakkar IV wages an epic war against the Europeans and their allies.

The life of a young man and his struggles against the privatization of education.

The story revolves around Maran (Kishore), who works in a bakery. He and his wife (Latha Rao) are searching for a house to rent. A shady broker (Scissor Manohar) gets Maran a house under his budget, but he has to face the sanctions of the house owner (Bala Singh) if he wants to stay in the house. The house owner will only allow a family of four, but Maran has three children, making it five members in his family, including him and his wife. Maran has no other option, so he lies to the house owner and hides one of his kids in the box which he uses to load his bakery goods..[5]

According to review by IndiaTimes:
The movie starts with a chase sequence – a girl is being chased by a bunch of goons as per the order of a dreaded politician. Four boys come to her rescue and she is taken away by them in a car. The chase continues for around an hour’s time, in the course of which two of the boys lust after her. The third guy wants to get rid of her to avoid unnecessary consequences, and the fourth guy falls in love with her. The worse thing is, the girl, too, loves him back without any convincing reason. Even when the indefinite car chase happens, with the goons yelling ‘thookku da’, ‘poda’, ‘vaada’, and so on, we are shown two songs featuring the hero and heroine. The latter half of the movie is hilariously terrible with some pointless skin show, never-ending fight sequences, funny dialogues and bizarre background score. This is a film which shouldn’t have been made.

The film is set in the backdrop of a village near Usilampatti, in Madurai district. Mayandi (Manivannan) and Virumandi (GM Kumar) are siblings with disputes over settling their properties. Mayandi insists giving a portion of their ancestral properties to their step sister for which Virumandi does not agree. This creates enmity in Virumandi and his sons against Mayandi and his family.

Mayandi has four sons(Thavasi (Ponvannan), Virumandi (Seeman), Cheenisamy (KP Jagannath) and Paraman (Tarun Gope)) and one daughter (Mayakka (Deepa)). All the sons except Paraman get married and they live as a joint family. Paraman falls in love with his schoolmate Poongodi (Poongodi). Paraman gets admission in to engineering and Mayandi sells a portion of his land to pay fees for Paraman. This angers the wives of Thavasi and Virumandi. They keep insisting on partitioning the properties between four sons thinking that Mayandi is spending more for the education of Paraman while the other three sons are not educated properly. But Paraman’s brothers are so affectionate towards him and they prefer staying together. Suddenly Mayandi passes away due to electric shock when he steps over a wire unknowingly. Now the wives of Thavasi and Virumandi again keep insisting on property partition. And the properties get partitioned into three leaving Paraman as his portion was already sold by Mayandi to pay the college fees.₹ 2.3 million

Ravi, who aspires to become a police officer, often ends up getting into trouble with negative elements. He gets into a serious fight with a kingpin while trying to help his friend Uma.

Hell breaks loose for the families of a village where mysterious incidents take place after an unfortunate death on a very auspicious day. Later, a determined villager decides to uncover the truth.

The story is told through the protagonist Murugesan (Pasupathy), who recalls his childhood in Virudhunagar town. His father is a butcher who works hard to bring up his four children (two boys and two girls) and have a happy family. Murugesan dotes on his younger brother Kathir, and his weakness, like any other adolescent, is a love for movies (especially MGR films) that are screened in a local theatre. One day, life changes for Murugesan when his father catches him red-handed from the theatre after he bunks school. Murugesan is severely punished and runs away from home, taking money and jewels.
Along the way, Murugesan gets sidetracked from his intended destination of Chennai by an MGR movie poster. He is shown watching several MGR shows, buying a change of clothes, and eating a hearty meal with his ill-gotten money. After spending the night at local temple, he wakes up to find his money and other possessions missing. Murugesan is then taken under the wings of a theatre projectionist in a nearby town. Slowly, the theatre becomes his home.

An illiterate man must wade into the uncharted waters of a malicious system after his wife falls ill. However, his lack of documentation exposes him to the malpractices that permeate the bureaucracy.