A man experiences romantic adventures in Singapore.

Karunamurthy (Kitty), an honest Home Minister is forced to help terrorists kill the current Governor to save his daughter Priya (Lisa Ray). Nethaji (Sarath Kumar), an upright journalist, runs a newspaper called ‘India’. He falls in love with Priya. Baba (Babu Antony) is a terrorist who smuggles arms with his right-hand Dharma (Vimalraj). Nethaji saves the scientist Shivashankari (Manimala) from terrorists, and Charan (Charan Raj), a police officer, congrats him and arrests Baba. Dharma hurts Nethaji’s sister and Ammu, and later kidnaps the latter. Dharma threatens Nethaji to kill Ammu, and Nethaji is forced to kidnap Shivashankari. Nethaji kidnaps her and saves his niece, and later, Charan arrests him. The rest of story is how he will be able to prove himself innocent and punish the terrorists.

Thamizh’s love that develops gradually, damaging relationship with his cousin in the process, gets torn around the lovers’ conflicting ideas of where his family fits in their nucleus of life. The lover gets married to the estranged cousin, Thamizh gets a wife he considers he is blessed to have had and just when things appear to be settling down, a devastating turn of events shakes his family apart. In his quest for reason, he learns his cousin had something to do with it and teaches the ones involved a ‘costly’ lesson.

Aathi (Silambarasan) and Meera (Trisha Krishnan) fall in love after the usual playful tiffs. On a visit to a friend’s village for his marriage, the two of them help the friend stand up against his father and wed his sweetheart instead of the girl his father had fixed up his marriage with. With all these things, Aathi’s father (Raghuvaran) arranges a marriage for him. After a big confusion, Aathi and Meera are together.

Shiva dubs Hollywood movies for Tamil audiences has trouble explaining his desire to remain free of marriage and commitment.

Vishnu (Nakul) is on his way from Coimbatore for his new job and also to see his Fiance who is his uncle’s daughter. During his journey he meets Pavitra (Nikesha Patel) and upon his arrival in Chennai, problems begin. Simultaneously Narathan (Premji) a renowned movie director is at his uncle’s place who is also a movie producer. Narathan narrates his story to Vishnu’s uncle and interestingly all the incidents have been happening in Vishnu’s and all the other people’s lives.

The story starts with a young boy and a girl, who fell in love with each other. When they decided to marry, they expressed it to their parents. But they just get a red signal from both the families. So, they decided to marry without their parents’ consent and board the Bangalore train. The heroine’s friend and her lover accompany them. During their train journey, the hero meets a girl Kamini. The twist in the story is, Kamini falls in love with the hero. Who will marry the hero Santosh, is it Kamini or his lover? Watch it on the silver screen.

Assistant director Anand (Shivaji Dev) has a script for his debut flick, but is unable to find a producer. By chance, he happens to meet an eatery owner Mani (Rajesh Yadav), who decides to help him produce the movie.

The film set, in post war Sri Lanka, brings us close to two characters who collide quite accidentally, and through them we experience the deep and seemingly unbridgeable chasm that conflict almost always creates. Will love help them cross the bridge? Or will the past continue to color the present? A man and a woman from the two ends of the thirty-year-old bloody civil war in Sri Lanka discover that the color of love is blue, and life, shades of grey.

The story is set in a suburb of Madurai. Suryan (Bharath) and Chandran (Bharath) are twins. Suryan, the elder of the two is soft spoken guy who works at a local lending library and he falls in love with Manimekala (Bhavana), daughter of Namasivayam (Mahadevan) the local politician-don and MLA. Chandran, the younger one, works as a mortuary assistant in the local government hospital and he’s one among Namasivayam’s bad guys who are in charge of his election campaign. Chandran is romantically linked to a local girl,Tamizhselvi (Sandhya). Namasivayam comes to know about his daughter’s love affair with Suryan and he orders to some killers to kill Suryan. But accidentally they attack Chandran who succeeds in escaping from them.

A group of men plan to kill Anu, the daughter of a mayor and an heiress. However, Shankar, a conman, saves her in the nick of time and is hired as her bodyguard.

Durairaj (Sarath Kumar) is a lorry driver who is tough as a nail. He had a bitter childhood, has no relatives or friends, and his only solace is Jayaram (Jayaram), his cleaner who is just the opposite of him. Jayaram is a happy-go-lucky guy who dotes on his wife Mallika (Meena), mother (Vadivukkarasi), and daughter, and dreams of making enough money to build a small house for his family. Durai and Jayaram share a special bond, as they understand each other well.

On his way to see his family, Jayaram dies in an accident, and Durai goes to his village with the body. There he finds that Jayaram’s family needs his help, and out of sympathy, he decides to settle there and build a small house according to his friend’s last wish. There he comes across a local landlord Vijayan (Vijayan), who cheats the illiterate villagers by giving them loans and later taking over their property. Then there is a tea shop owner Vasantha (Ramya Krishnan), on whom the entire men folk lust. But she is hardworking, and at the same time foul-mouthed and a terror. Vasantha’s brother, who is in love with Vijayan’s daughter, starts the fight between the Vijayan and Durai. Durai works hard to make a house for Mallika, and when the villagers suspect his good intentions, he proves to them that he has a sisterly affection towards her, as he has a soft corner for Vasantha. As the fight goes on for Durai and Vijayan, Vijayan destroys the house that Durai built for his friends. Of this anger, he tries to get revenge. How Durai wins over the villagers and fights against injustice against Vijayan and his son forms the rest of the story.