A man who wants to leave his shady life behind gets embroiled in a web of conspiracy where the perpetrators are sinister politicians, corrupt police officers and seedy gangsters.

Hariesh (15) a teenager admires Alma (18) an NRI from White Town in Puducherry. When he finds her spending more time using mobile with her friend Prithvi (20), he decides to buy one. But neglects latter due to the doubt on her behavior with Prithvi. What happens if the cultural difference confuses him, and how he handles to get through the same.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

Imai is based on the love story of a ruffian and an intelligent girl. The movie is inspired by a real story, which was narrated to the director by a co-passenger during one of his train journeys.

Lightman is a Tamil Feature Film Written, Directed and Produced by Venkatesh Kumar.G. The film stars Karthik Nagarajan as the lead and cinematography by Rahul. This film portrays the unrevealed life of Lightmen in cinema. Lightmen are an Integral part and prominent among the 24 crafts in film industry but the work they put in every film is often ignored and they stay isolated among the other technicians in the Industry. They are the least paid technicians in a film inspite of the physical pain they take in making every scene of the film. “Lightman” captures the real and reel life of lightmen in cine industry. The Film runs through a parallel screenplay which narrates the story through Fiction and Live Interviews.

Parasuraman (Vijayakumar) is a rich businessman who lives with his wife Pattammal (Srividya), elder son Raghu (Raghuvaran), younger son Sriram (Rajiv Krishna), and a physically-challenged daughter. Raghu is more matured, and he assists his father in managing the business, while Sriram is a fun-loving person. Parasuraman hates Sriram’s careless attitude, and he keeps scolding him often for his irresponsible behavior. Rajeshwari (Bhanupriya) is the Raghu’s wife, and she is close to her family members.

A spoiled young heiress marries a poor man in order to inherit her grandfather’s property.

Situations push a common man to oppose an influential guy in his area and how he develops himself stronger to fight back his enemies forms the crux of the story.

A carefree youngster`s life takes an interesting turn after he meets the girl of his dreams.

Bodinayakanur Ganeshan story is set on the backdrop of a village and here is Ganesan (harikumar) along with his friend Gilaki (soori). Both are hated by the villagers since they sell Ganja and arrack. They work under the local don Thiruvachi (sai ravi) and earn their livelihood.

KD, an 80-year-old villager overhears his children say that they want him dead to claim their inheritance. Realizing he has never truly lived, he enlists the help of a young orphan boy Kutti. The pair head off on a road trip trying to complete KD’s bucket list, rediscovering the meaning of life and friendship along the way.

Two juvenile convicts escape from prison – one for revenge and the other for romance. With a ruthless warden determined to catch them, do they succeed?