This story is about three good-hearted men – Shiva (Sivaji Ganesan), Muthu (Muthuraman) and Nagu (Nagesh) – who become criminals due to unavoidable circumstances. The trio escapes from Central Jail and lands up at Pashupati’s place. Pashupati is a small-time trader. Initially, the three of them intend to loot the money and jewellery from Pashupati’s locker, but as time passes, Pasupathi and his family members’ love and affection towards them changes their heart and the trio becomes part of the family. They start helping Pashupati in all his problems, but constantly fear of being identified and arrested. Will Pashupati and his family ever come to know their true identity? How long will they be able to hide themselves from the police?

Five college boys while away their time by going after girls and getting drunk at parties. However, they are forced to earn a living when one of them gets married against his parents’ wishes.

A mridangam maker’s son, who aspires to learn the instrument from a maestro and become a mridangam player, has to cross social and personal barriers to reach his goal.

The film, set in the 1940s and moving to the 1960s, revolves around the emotional story of Thulasi (Nandita Das) returning to her village to become a dance teacher. She cannot bring herself to forget Vishwa (Mammootty), a man she has been in love with for two decades. Memories of Vishwa haunt her constantly, and upon a chance meeting with him, she discovers he too is struggling with his love for her. Both are haunted by the memory of Thulasi’s cousin, a figure who is unable to control his obsession for his cousin and hide his resentment at Thulasi’s feelings for Vishwa. Thulasi (Nandita) comes to Sundarapuri after her guardians – her grandma and uncle – pass away, to work as teacher in a dance school. It is in Sundarapuri that Vishwa (Mammootty) the zamindar whom she had met 20 years ago, lives. They meet again and the feelings that had blossomed in their hearts as teenagers, are revived. Vishwa is unmarried and Thulasi has gone through an unceremonious ritual in the name of matrimony, but fear of societal stigma and innate inhibition keep them asunder. Sensing their intense love for each other, Pattabhi (a very natural essay by ‘Delhi’ Ganesh once again), the manager at Vishwa’s house, helps them overcome their fears. It is then that Fate enters in the form of Siva (Manoj K. Jayan).

Naveen (Naveen), Sendrayan (Sendrayan), Kuberan (Kuberan), and Vellaichami aka White (Rajaji) are four youngsters. The story begins with a meeting of them in a police station where they are held in connection with a robbery case. Disillusioned with society and their place in it, they plan to rob White’s treacherous uncle, who they believe has left for a pilgrimage with his entire family. Instead, they find them at home and get involved in a quagmire involving moneylenders, enforcers and the mafia.

The film is an official remake of the Malayalam hit – Thattathin Marayuthu. The story is about a Hindu boy Vinod, who falls in love with a Muslim girl Aisha.

A gang robs a large donation to an orphanage for needy children and how do the protagonist and his friends recover from the disaster? and the struggle which takes a dangerous twists and turn from which they recover the lost gift?

Suryaprakash (S. J. Suryah) is a businessman who wants to become richer than Bill Gates, and in the process, he loses out on family and social life. So he tells scientist Stephen Raj (Nassar) to make a clone of him so that he can keep concentrating on business and the clone can take his place at home. Savithri (Tamannaah) is a college girl who does a research project on Suryaprakash and begins to love him. Suryaprakash is not interested in Savitri, but he marries her to make use of her cooking talent in order to widen his business. After singing and dancing with both models Namitha (Namitha) and Malavika, and humiliating his brother-in-law ‘Digil’ Paandi (Vadivelu), Suryaprakash finally understands the value of family after his mother (Seetha) dies.

This heart-warming 11-song musical is about how the prevailing Indian education system and parents put pressure on children to be competitive in their “studies, thereby leaving no time for art and culture. Against this background, two music and drama teachers Mary and Manoj struggle to put up “The Sound of Music”.

The story of an ardent fan of Mohammed Rafi.

The film is based on the philosophy that dreams will be fulfilled, presenting Jai as having a fetish for writing a diary, while changing things that go wrong in his life to have a happy ending. He comes across a pretty girl, played by Shazahn Padamsee, who he is intimidated by and cannot build up the courage to tell her his feelings. Meanwhile, Vijay Vasanth also takes a liking to her and uses a different method to convey his feelings. Whom the girl falls for forms the crux of the story.

Thavathiru Sivadas Swamigal (Nassar) runs a drama troupe in which Thalaivankottai Kaliappa Bhagavathar (Siddharth) and Melachivilberi Gomathi Nayagam Pillai(Prithviraj) are his direct disciples. Gomathi is left by his father in the troupe of Swami. Kali is found by Swami during a train trip where the boy is singing and begging alms. Impressed by his singing talents, Swami takes the boy with him. Gomathi and Kaliappa have relationship like brothers. They grow up together and stage many plays where Gomathi often plays “Sthripart” – the female role and Kali plays “sidepart”- supporting characters. While Vadivambal (Vedhicka) joins as the female member in the group, soon falls in love with Kali, while Gomathi falls for Vadivu, however, Kali loves Rangamma (Anaika Soti), the princess of the zameen. Bhairava (Ponvannan) who is another student of Swami is a popular “Rajapart” – performing main title characters of a stage play. He becomes headstrong over his acting capabilities and does not attend the rehearsals for which he gets scoldings from Swami. After a quarrel, he leaves the troupe as he could not bear the torture of Swami. Swami does not give up and conducts an audition for the main character role of Soorapadman in which Kali and Gomathi perform. Kali gets selected, which leaves Gomathi angry. The reason behind Swami’s bias towards Kali is never answered clearly to Gomathi which leaves him more frustrated.