The story revolves around a mother-son relationship set in Kodaikanal. The movie commences with Rama Krishna (Jiiva) and his mother Saradha (Saranya Ponvannan), a school teacher, lying in a pool of blood. The police finds that Raam is still alive and arrests him on charges of murdering his mother. Police Inspector Umar (Rahman) works on the case. The story is narrated in a flashback. Raam is a mentally affected teenager (later diagnosed as autistic) living dependent on his mother. His overcompulsive adoration for her lands her in various problems. Raam is provoked easily and tolerates little wrongdoing around him. Next door lives Karthikayeni (Gajala), the daughter of a Sub-Inspector Malaichamy (Murali). She falls for Raam, but upon telling him how she feels, gets a blunt response from him. One day, Saradha is found brutally murdered. Umar grills each and every person connected to her and Raam. Every possible motive Raam might have for murdering his mother is explored. Raam’s neighbors, Malaichamy, and his children are summoned by Umar for interrogation. The police eventually find out that it was Karthika’s brother Satish (Kunal Shah) who committed the murder, fearing Saradha would tell his parents about his drug addiction. When Umar confronts Satish and forces him to surrender, Satish fatally wounds him and escapes, injuring his father in the process. On finding her brother’s hideout, Karthika tries to plead with him to surrender, but he refuses to do so and ties her up. Raam, seeking vengeance, finds the hideout. A brutal fight occurs between the two, and Raam kills Satish. The film ends as the police find the hideout while Raam is meditating on a dilapidated roof.

After the passing away of his dark-skinned wife, from who they sired Uday, Dubai-based criminal don, Shankar Shetty re-married a fair-skinned woman, who gave birth to fair-skinned Sanjana. After the couple’s passing, Uday takes over in his dad’s footsteps, and takes it upon himself to try and get Sanjana married – in vain, as no one wants to be associated with a crime family. Then Uday’s associate, Sagar Pandey, aspiring live-action painter, who had loved Iravati, got beat-up by her brothers, and was re-named Majnu, assists in finding a young man, Rajiv, who lives with his maternal uncle, Dr. Ghunghroo and aunt, and through extortion compels Ghunghroo to accept this alliance. But Ghunghroo, at the very first opportunity, gets Rajiv to fall in love with another young woman in Sun City, South Africa. When the time comes to get Rajiv formally engaged to this woman, he finds out that Sanjana and she are the very same woman.

A new scientific discovery reanimates a slain man who is either a missing person or a gangster’s archenemy.

Selvam averts a mishap and returns to his village to find his lover Bhagyam. Unable to find Bhagyam and unaware of her life in isolation, he marries another woman. But time springs a surprise and his own son turns into his biggest foe. Tied down by broken promises, what does the future hold for them ?

What if that death is a person, what if death as a person has a perspective, what if death explains or narrates his point of view. Death explains the stories of four people he met. Dear Death – A hyperlink movie.

Emperor Raja Raja Chozan seems to count a little too much on his newly-appointed, deceptive minister. But he knows what he is doing.

This film also speaks about the caste differences between the landlords and the farmers.

A young girl is torn between an obsessive lover and a mild-mannered suitor.

Malini, a nursing student, marries Varun, a travel agent, with aspirations to move to Canada. However, she soon embarks on a journey of revenge when Varun’s boss rapes her.

Nattukku Oru Nallavan is the story of an honest police officer (Rajinikanth) and his fight against a dreaded criminal named Dddy (Anant Nag) who indulges in organ transplant mafia.

Dhinakar (Jai Akash), hailing from a middle-class family, and Nancy (Madhumitha), a software engineer and sole breadwinner for her family, are neighbors who are in love with each other. However, their dreams of getting married are shattered when their self-centered parents decide on proposals of their own choice. Notwithstanding the overbearing parental pressures, Nancy marries Victor (Prakash Raj), a multimillionaire businessman, while Dhinakar marries his cousin – but not before the lead pair enters into a sly pact. Dhinakar and Nancy contrive to marry the spouses chosen by their parents, only to officially dissolve their unhappy unions later and thereby pave way to their union. After a sequence of events, Nancy successfully convinces Victor about her unreserved enthusiasm for her past love, gets her divorce, and takes the first step towards making a fresh start, but events overtake her in an unexpected final act.

Ariyaan deals about two youthful lovers whose love life gets into many struggles. A ad film maker is in love with college student and their love meets with various turn and twist. This forms the rest of the story.