Puthiya Vaarpugal 1979
Shanmugakani (K. Bhagyaraj) arrives in the village of Thaayamangalam as the new school teacher and soon falls in love with a local damsel Jothi (Rati Agnihotri). The village head called as “Periyavar” (played by G.Srinivasan) is a lecherous and sinister man who has a lustful eye on Jothi. Amavasai (Goundamani) is Periyavar’s stooge who also has a long-standing desire to marry Jothi. Periyavar frames Shanmugakani for the rape and murder of a woman social activist and gets him evicted from the village and gets Jothi married by deceit to Amavasai. He asks Amavasai and Jothi to stay with him in order to satiate his lust with Jothi. What happens afterwards forms the rest of the story. – Watch it in HD only on TamilPlay.to!
Ambikapathy 2013
The pundit’s son Kundan (Dhanush) has fallen for the girl at first sight. That they’re both kids makes us dismiss it as a meaningless crush. But a few years later, the boy is still in love with the girl, Zoya (Sonam Kapoor). When she’s in school, he follows her around holding her hand and getting slapped in the process. Finally, she relents because of his “consistency”. The film shifts cities when Zoya gets into JNU (Jawaharlal Nehru University), and through her, we are introduced to the idealistic and political culture of the place. She discovers a long-lost strength as she confronts and then falls for student leader Akram (Abhay Deol). The film takes a turn when Zoya returns to her hometown after eight long years only to find some things changed, and others surprisingly the same.
Sangamam 1999
This film depicts the disputes between two forms of the dance styles and music, Classical Indian (in particular Carnatic music and Bharathanatyam danceform) against rural Tamil folk music and dance. The film depicts the misunderstanding and mutual ignorance of the two factions. The parallel plot in the movie is of the children and intended successors of the respective dance doyens falling in love with each other. The climax ends with a consensus of both the music genres as well as the young couple, hence the name Sangamam.
Natpukkaga 1998
Chinnayya (Sarath Kumar) works for a rich man Ayya (Vijayakumar) in a village. Chinnayya has great respect and affection towards Ayya and Ayya, too, takes care of Chinnayya and looks after him as his own son. Ayya hates his first daughter Gowri (Sithara) and her husband (Mansoor Ali Khan). Prabhavathy (Simran), Ayya’s younger daughter, arrives at the village after completing her education from the US. Prabhavathy loves Chinnayya but he does not reciprocate, thinking this would be a betrayal of Ayya’s trust in him. Later, Chinnayya too understands Prabhavathy’s love and accepts it.
Ninaivirukkum Varai 1999
Jani, a slum boy, loves Sandhya but doesn’t express his love because she sees him as her friend. Jani selects a groom photo as per Sandhya’s request, but when he learns a shocking truth about the groom, he tries to break up the marriage and earns a bad name.
Jiivi 2 2022
Jiivi 2 begins with Saravanan’s marriage with Kavitha, played by Ashwini Chandrashekar. Kavitha is visually challenged and Saravanan tries to arrange funds for her eye surgery. His plan however doesn’t proceed, and he falls prey to his temptation to steal again. And his attempt at a robbery drags him into trouble yet again. And soon he starts seeing connections…
Chekka Chivantha Vaanam 2018
Senapathi (Prakash Raj), a God fearing boss of a crime family, is on a tour to a temple with his wife Lakshmi (Jayasudha). Despite being escorted by heavily armed men, assassins disguised as cops attempt taking down Sena and Lakshmi, but they evade the assault. His children are notified of this. Sena has a daughter (RJ Sindhu) and three sons: the eldest being Varadan (Arvind Swami), who runs a part of his empire in Chennai. The second, Thyagu (Arun Vijay), operates his business in Dubai with Arabs. The third, Ethi (Silambarasan), runs the Serbian section of Sena’s empire.
Vishwa Thulasi 2004
The film, set in the 1940s and moving to the 1960s, revolves around the emotional story of Thulasi (Nandita Das) returning to her village to become a dance teacher. She cannot bring herself to forget Vishwa (Mammootty), a man she has been in love with for two decades. Memories of Vishwa haunt her constantly, and upon a chance meeting with him, she discovers he too is struggling with his love for her. Both are haunted by the memory of Thulasi’s cousin, a figure who is unable to control his obsession for his cousin and hide his resentment at Thulasi’s feelings for Vishwa. Thulasi (Nandita) comes to Sundarapuri after her guardians – her grandma and uncle – pass away, to work as teacher in a dance school. It is in Sundarapuri that Vishwa (Mammootty) the zamindar whom she had met 20 years ago, lives. They meet again and the feelings that had blossomed in their hearts as teenagers, are revived. Vishwa is unmarried and Thulasi has gone through an unceremonious ritual in the name of matrimony, but fear of societal stigma and innate inhibition keep them asunder. Sensing their intense love for each other, Pattabhi (a very natural essay by ‘Delhi’ Ganesh once again), the manager at Vishwa’s house, helps them overcome their fears. It is then that Fate enters in the form of Siva (Manoj K. Jayan).