Mysterious deaths occur in a village due to an unknown person’s occult practices. The whole town is afraid, and the problems continue as they search for the one responsible.

Vijay is a honest and kind guy who lives with a huge family and his friend Vivek. One day, he is approached by a person who tells him that his father owes him some money and he is to return it or his house would be taken away. Vijay discovers that a guy named Koccha based in Malaysia owes him a large amount of money, and so as a courier boy, along with Vivek, he flees to Malaysia. After some time he finds Koccha’s son-in-law and circumstances cause him to attack Koccha’s men. Then he finds Koccha’s sister and she falls in love with him. Her brother is forcing her to marry a corrupted person, and so with the help of her mother flees to India. He soon finds out that his father is being held as a slave in Kadappa, Andhra Pradesh, and has to figure a way out for all of them.

In times of the infamous Argentinian Corralito, the neighbors of a little town trace a plan to recover the money they lost after learning that their bank manager and a corrupt lawyer have stolen it.

Aanusmita Sharma (Shahana Goswami), an employee of London-based company Barron Industries, introduces a new technology that allows objects from the digital world to enter the real world using the wireless transmissions from multiple devices. Shekhar Subramanium (Shah Rukh Khan), a game designer who also works at Barron Industries, has delivered a number of commercial failures; an irate Barron (Dalip Tahil) gives him his last chance to develop a successful game. To impress his sceptical son Prateek (Armaan Verma), and upon the request of his wife Sonia (Kareena Kapoor), Shekhar uses his son’s idea that the antagonist should be more powerful than the protagonist. His colleague, computer programmer Aanusmita uses Shekhar’s face as a model for that of the game’s protagonist G.One (Shah Rukh Khan) (Technically Good One and in Hindi Jeevan, which means life), while the shape-shifting antagonist Ra.One (Technically Random Access Version One and in Hindi Ravan, an ancient demon king)[7] is made faceless. Another colleague, her boyfriend, Aakaashi (Tom Wu), implements the characters’ movements. The game, named Ra.One, contains three levels, the final level being the only one in which either character can be killed. Each character possesses a special device – the H.A.R.T (Hertz Amplifying Resonance Transmitter) which gives them their powers. Upon reaching the last level, the characters gain a gun with one bullet; the other character can be killed by this bullet but only if his H.A.R.T is attached.

The film is a crime thriller that revolves around the lust for power. The film portrays the activities of underworld and is based on the theme that inspite of many laws that are enforced, crime and criminals never end.

Dilli, an ex-convict, endeavours to meet his daughter for the first time after leaving prison. However, his attempts are interrupted due to a drug raid planned by Inspector Bejoy.

An unemployed young man kidnaps and holds captive a criminal who is also the brother of a powerful law minister who was responsible for the death of three students.

The film starts with Ashok Kumar aka AK (Ajith Kumar) setting bombs in three places and informing the police about them. Before the police arrive, the bombs are set off. AK, along with his lady love Maya (Nayanthara), threatens her old college mate hacker Arjun (Arya), who is forced to hack one system after another. AK then threatens Sriram Raghavan (Aadukalam Naren) by trying to kill his child so that he can extract the truth about black money. AK then murders Sriram. Arjun, who is irritated by the things happening around him, complains about AK’s misdeeds to Inspector Prakash (Kishore). When AK gets closer to achieving his goals, Arjun gives him away to the police, and both are arrested. Arjun is later released after his true identity is revealed.

An inter-village martial arts competition drives the plot of this action-packed tale.

The film begins with a suicide bombing attack in Germany at a peace conference where Indian Home Minister (Sachin Khedekar) is affected by an unknown virus. In RAW headquarters, menon (Sarita Choudhury) joins the investigation. RAW HQ is threatened by a threat who calls himself Doctor. In HQ, army officer Aazaan Khan (Sachiin J Joshi) is interrogated about the case because of his brother’s, Aman Khan, involvement as a terrorist in the suicide bombings.
Aazaan is deployed in Waziristan to infiltrate the enemy force and to find the whereabouts of his brother. He travels from country to country to find the culprits and even becomes one of them to gain their confidence. Aazaan comes across two Pakistanis from whom he soon finds the whereabouts of the kingpin, the Doctor. The Doctor has taken hold of Mahfouz (Dalip Tahil) and has seized the cure for the virus from him, so now he has both the weapon and its antidote. He knows that Aazaan is with the cops, and both are led to be killed in the market square. Aazaan breaks free and tries to rescue the scientist, but it’s too late. Before being detonated by a strapped bomb, he tells Aazaan to find a sand artist in Morocco and a girl with her, as they have the cure for the virus.

Three roommates get into trouble over a missing bike and a stolen bike, which, intriguingly, could be the answer to their problems.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.