India – a Nation obsessed with cricket – and it is not very often one comes across anyone who loathes cricket as much as farmer Anwar Khan, who feels that it is a waste of time watching some grown men playing, not only getting paid, but costing the nation millions of lost work hours. His family, especially his wife, Saida, does not quite agree with him. As a matter of fact, she broke water when watching a cricket match with a TV set perched on a branch of a tree with almost the entire village in attendance. This is how Iqbal was born, followed by the birth of his sister, Khadija. Iqbal, though deaf and dumb, shared his mother’s and sister’s passion for cricket, he would tend to the buffaloes, who though all female, had been named after male cricketers, including Kapil Dev. While tending to them, he would stop and watch youngsters being trained by the renowned Guruji.

A psychopath killer, targeting film critics. The film is a fast-paced thriller that raises many questions of the ethics of criticism.

Kadamban (Arya) is a native of an isolated tribe in the Kadamban Forest, Tamil Nadu. The area is known for its wildlife and an immense amount of limestone. This brings the attention of the Mahendran Brothers, who own a large cement factory. They then attempt to get the not easily convinced tribe out of the forest. Radhi (Catherine Tresa) is in love with Kadamban and attempts continuously to win his heart at the displeasement of her brother, who has a rivalry with Kadamban.

The movie begins with the search for an actress Anjali (Sonia Agarwal) by a scribe (‘Punnagai Poo’ Geetha). Once a sought-after heroine, Anjali vanishes one fine day and efforts to trace her ends in vain. The journalist manages to locate her after several hardships. Cut to flashback, the travails of Anjali is revealed. Anjali is the daughter of a poor folk artiste Devarajulu (‘Yogi’ Devaraj) in Andhra Pradesh. One day, her mother resolves to make her an actress and comes to Kodambakkam. The mother and daughter climb every stairs and go around every studio in Kodambakkam and Vadapalani. They meet with failures everywhere until they are forced to agree for casting couch. One compromise on the part of Anjali bags her heroine’s role. She fortunately makes it big. The nature of her mother changes… She becomes greedy and runs madly behind money. Anjali is exploited by few in the industry. Unable to tolerate all humiliation, Anjali decides to take extreme decision in her life.

A young man from a weaving family vows to restore it to its past glory by taking on a textile magnate.

Due to changes in ocean currents, shark activity appeared near a certain diving area, but the traces are unknown. The hungry shark is ready to move, waiting for an opportunity to start a merciless killing. Doctor Shen Xin was invited.

Naam Iruvar Namakku Iruvar is a 1998 Tamil film directed by Sundar C. Prabhu Deva and Meena played the leading roles, whilst the film featured an extensive cast, along with a bevy of supporting actors. The film released on 14 January 1998 and became a big success at the box office. The film was loosely based on the 1995 Hollywood movie Two Much.

The film begins with Murugesan (Bharath) limping sorrowfully from the Central Jail, Palayamkottai, in a scruffy beard and glasses. He has been imprisoned for 17 years. The film flashes back to 1989, where Murugesan is an unruly youngster in Sivasaila. He is the son of flower sellers (Rajesh and Yuvasri), with Thapaal Thangavelu (Vadivelu), who provides as much laughter as the posts he delivers. Life is a long, sunny adventure for Murugesan, who beats people up, sells his grandfather’s land, runs over rooftops, and incurs so much of his father’s wrath that he is prophesied to meet a horrible end. Not that this gloomy prospect affects him – he continues on his own sweet way until he runs into Parijatham (Poonam Bajwa), a demure, fair-complexioned, striking Iyer girl, the daughter of Panjami Iyer (Y. G. Mahendran) and the younger sister of Gayathri (Simran). In the meantime, the village’s bigwig Periyavar (Sampath Raj), who is magnanimous in public and a tyrant at home, casts his eyes on Parijatham. He places his pawns carefully and is afraid of being found out. Parijatham is trapped, and Periyavar starts removing her dresses. He and Murugesan come close to breaking each other’s bones many times, but the situations defuse themselves in a perfectly natural fashion. Several twists in the tale occur in a quick fashion, and Murugesan and Parijatham are bound in a net from which, seemingly, there is no escape.

Kuselan, a rich man, who has nine children, wants to see them married before his death. Hence, he announces large-scale interviews with the dowry of one crore for the chosen suitors.

A female cop has a tough time trying to strike a balance between answering nature’s call and her duty.

A young girl is torn between an obsessive lover and a mild-mannered suitor.

Can a young man escape from the clutches of a loan shark on time?