The movie revolves around Easwaran alias E (Jiiva), an orphan brought up in the musty, teeming slums of Chennai by an old woman. For him, money is the thing in life. He comes across Jothy (Nayantara), a bar dancer who settles down in the same locality. After a few encounters, they get acquainted with each other. E’s simple ways attract Jothy. Coming to know of E’s past, Jothy tries desperately to correct his ways and set him on the right path. Meanwhile, Dr. Ramakrishnan (Ashish Vidyarthi) takes up the task of testing a medicine devised by a foreign company, which may come handy in killing people in thousands, especially during times of war. Ramakrishnan chooses Jothy’s sister and E’s grandmother as specimens for the test. He cashes in on the ignorance to slum dwellers. Things take a turn when E rescues Ramakrishnan from a murder bid by Nellai Mani (Pasupathy). A sequence of events brings Mani and E together. Without knowing Mani’s motive, E hides him in a secret place and decides to hand him over to Ramakrishnan for a huge sum. Slowly, E gets attracted by Mani’s good ways. Through him, E comes to know of Ramakrishnan’s ulterior motives. Mani, a revolutionary fighting for a cause, tries to bring about a change in E’s heart. Succeeding in his attempt, Mani lays down his life, leaving E to complete his task. The rest is all about how E puts an end to Ramakrishnan and his evil ways.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

Viswa, an engineer, falls in love with Rhea, the daughter of a businessman. However, he gets embroiled with the affairs of a human trafficking gang while his lover’s marriage is fixed elsewhere.

A pregnant woman named Yashodha, she is advised to follow a few guidelines about her physical and mental well being and safety. However, a set of events occur that make Yashoda live on the edge, risking her well being.

Aravind, a fearless cop leads an encounter operation where the wife of the accused gets killed accidentally. He ends up paying dearly with the lives of his wife and daughter in a revenge saga and is too affected that his brooding prevents him from taking up from further assignments. When a curious case of serial killings leaves the cops bedazzled, he takes it up as a gesture of courtesy, but his skills are needed now more than ever to track the killer.

Set on the backdrop of Theni, the story is about Murugaiyan (Vijay Sethupathi) who is a goat shepherd and he has a loving mother Veerayi (Saranya Ponvannan). She is a widow and struggles hard to raise Murugan and has an overflowing affection for him. Meanwhile, there is a gang which attacks the villagers at night and steal their goats. Murugan along with his group manages to catch one of the members in an attack and discover that it is a girl. Her name is Pechi (Vasundhra Chiyertra) and her family steals goats for their livelihood. While Murugan develops feelings for her, Pechi’s family is known to be quite dangerous. Veerayi comes to know this and asked her son (Murugan) to marry a girl of her choice. He refuses to accept her wish. Complications arise between them. An old lady of her house tells Veerayi to let her son to marry the girl he loves. A possessive widow tells how her husband was killed to that old lady. Her husband was killed by a group of thieves.The head of the gang is none other than the father of the girl whom her son loves.

A cop takes bribes from politicians and goons. He rethinks his life choices after he meets a girl.

Theju is a software engineer who goes into a depression following the break up with her boyfriend. She distances herself from her family and becomes an alcoholic.

An encounter specialist learns the hard truth that all his encounters have been to protect the interest of corrupt politicians and businessmen.However, before he can control the damage, four innocent people get entangled in his operation.

Janardhanan lives in a village in Tamil Nadu, leading life incognito, taking up the cause of the villagers, and making enemies around. Then comes the twist in the tale, the caption in the interval reading ‘…Interval…Wait just see other face’. When the film reopens, we do get to see Jana’s other face. Jana is a terror to the Mumbai dons, corrupt politicians, and their ilk, killing, and maiming. He wants to teach a lesson to them. Both the faces of Jana merge finally when his bete noire Bhandari comes out of jail to have his final round with him.

A love triangle between Jogendra, Radha and Devika. With certain plot twists and turns, the movie is engaging and lives up to the expectation of Nene Raja Nene Mantri.
A political movie which shows how an ordinary money lender enters politics then what he do for power.In the mean time how he is affected by emotions.

Indrajith heads to the forests of north eastern India in search of a precious stone.