Three friends, who value friendship over everything else, begin to fall apart when one of them learns about a shocking incident that happened in their past.

An NRI from Canada travels to Chennai to start a property business. As his company starts doing well, he realizes he is he being cheated by his most trusted people, and gets imprisoned for fraud. What happens next?

Things take a turn as dramatic events unfold after a crime was committed in a village and as the culprit is sought after.

A periodical fiction based on the 7th-century Pandiyan prince Ranadheeran who ruled during a time when the Chola dynasty lost its power and its people were forced to live in the woods.

Jagannathan (Sarath Kumar), fondly known as Jaggubhai, is a tough, upright, straightforward Indian police officer with sharp methods. His way of dealing with the criminals strikes terror in the underground world. Jaggubhai is sent to Australia on an important mission to deal with antisocial elements there. In Australia, he meets Ilavarasi (Srisha), and they fall in love with each other. Jaggubhai fails in his mission for which he came to Australia, and the brief romance with Ilavarasi ends abruptly. Jaggubhai returns to India as a dejected officer, failing in his official duty and personal life. Fate had something in store for him. 20 years later, or as he says it 21 years later, he gets a call from Australia stating Ilavarasi is dead and has left him a will. He reaches Australia and is shocked to know the brief encounter with Ilavarasi had resulted in a daughter Monisha (Shriya Saran), now a teenager.

Arjun, an IPS officer sets out for a mission on hunting down illegal bikers involving in theft and murder.

A happy go lucky protagonist tries to embark on a secret road-trip on his Royal Enfield. He has eyes for his sister’s classmate, but constrains himself to open up at a later point of time. On a road trip with his girl as days pass and nights are spent in random strangers’ place, they witness nature’s expanse through its length and breadth. However, things take a turn for the worse as they encounter something unexpected.

A young mechanic falls in love with a rich girl; her father plots to break their relationship, as a result, the mechanic murders a manager while trying to save the girl’s honor.

In a destitute hamlet where the denizens make ends meet by committing highway robbery, the birth of the village elder’s grandson Ayyanar (Vijayakanth) gives the community hope for the future. Virtuous from boyhood, he begins to change the town’s fortunes by ratting out his murderous cousin Sivanandi (Sampath Raj) making an enemy in the process. But will Ayyanar’s virtue cost him his life 20 years later when the vengeful Sivanandi gets out of jail?

One Advocate sends an innocent man to the gallows. The innocent man’s wife loses her sanity while his two small children are left to fend for themselves. The son grows up to be a lawyer who then beats that advocate in his own game.

A spoiled young heiress marries a poor man in order to inherit her grandfather’s property.

The film begins with Murugesan (Bharath) limping sorrowfully from the Central Jail, Palayamkottai, in a scruffy beard and glasses. He has been imprisoned for 17 years. The film flashes back to 1989, where Murugesan is an unruly youngster in Sivasaila. He is the son of flower sellers (Rajesh and Yuvasri), with Thapaal Thangavelu (Vadivelu), who provides as much laughter as the posts he delivers. Life is a long, sunny adventure for Murugesan, who beats people up, sells his grandfather’s land, runs over rooftops, and incurs so much of his father’s wrath that he is prophesied to meet a horrible end. Not that this gloomy prospect affects him – he continues on his own sweet way until he runs into Parijatham (Poonam Bajwa), a demure, fair-complexioned, striking Iyer girl, the daughter of Panjami Iyer (Y. G. Mahendran) and the younger sister of Gayathri (Simran). In the meantime, the village’s bigwig Periyavar (Sampath Raj), who is magnanimous in public and a tyrant at home, casts his eyes on Parijatham. He places his pawns carefully and is afraid of being found out. Parijatham is trapped, and Periyavar starts removing her dresses. He and Murugesan come close to breaking each other’s bones many times, but the situations defuse themselves in a perfectly natural fashion. Several twists in the tale occur in a quick fashion, and Murugesan and Parijatham are bound in a net from which, seemingly, there is no escape.