“Blade” Ganesh (Jiiva) is a henchman for a local villain Naaga (Sharath Lohitashwa) and is loyal to him. Vithya (Nayanthara) is the daughter of a local factory owner (Joe Malloori). She falls for Ganesh after he saves her from a kidnapping. Vithya’s father arranges for her to marry another man, but everyone learns about the love affair between Vithya and Ganesh, which creates animosity between Naaga and Vithya’s father. Blade gets caught between supporting Vithya’s father and standing up to Naaga. Blade saves the day by killing Naaga.

Revenge for a man who exposes and deals with a fake marriage. Supposedly based on a fake marriage racket. Run by four advocates who have oversaw more than 3,500 such weddings.

Any who were close to the girl have died in tragic ways, is this because of her ill fate or is this the work of ill intent? Detective Dee shall solve the mystery with his wits.

As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

Vishwa runs a small business in Sydney, unaware that his father is a gangster in Mumbai. When his father is killed by a rival, Vishwa takes over his crime syndicate, with revenge on his mind.

The desire for biryani after drinks lands two friends in an endless frenzy as they get framed for a kidnapping and go on the run.

Qin, an accountant living in the UK, is targeted by the leader of a terrorist organisation. His only hope for survival is Vanguard, an elite security company.

Upon being terrorized by an oppressive Portugual regime, legendary naval chieftain Kunjali Marakkar IV wages an epic war against the Europeans and their allies.

A hot-blooded student union leader falls for a state-level cricketer but his anger management issues and violent streak threatens to derail their love story.

A cop, who suffers from family issues, takes up a peculiar suicide case. The plot thickens as similar cases get reported within a span of a few days.

Prabhakaran suffers from an alternative personality disorder and has killed many people. He meets Anitha who finds out about his condition.