An hopeless orphan , impersonates his dead co-passenger for his educational purpose and gets into trouble.

Sundari is a story of a village girl married to a software employee who is head over heels with her beauty. Life takes an unexpected turn when her husband loses his job and she is forced to take a few steps that she has to go through an emotional turmoil.

The story unfolds in a dry barren village. Anbukkarasu (Kishore), the protagonist who wants to excel in his life as a Collector and is an encouraging child, comes across Jeevanandam (Sree Raam), the son of the school teacher Chokkalingam(JayaPrakash), on the first day of school. Jeeva develops instant dislike for Anbu. The good-hearted Anbu tries to befriend Jeeva. However, Jeeva continues to hate Anbu with a passion. Enter Manonmani (Dharini), Jeeva’s cousin, who develops affinity towards Anbu. This only makes Jeeva detest Anbu further. Not only Anbu excels in academics but also in extracurricular activities, contributes to widening the rift between the two.Anbu’s parents have different opinions at Life which develops fight between them and also turns out to be a positive for Jeeva to hurt Anbu further.

Murphy “Barfi” Johnson (Ranbir Kapoor) is an optimistic , street-wise, charming young man who was born deaf to a Nepali couple in Darjeeling. His mother died when he was a baby and his father raised him alone while working as a chauffeur. Barfi is known as a troublemaker – he cuts lampposts, plays practical jokes on innocent people, and is chased by Sudhanshu Dutta (Saurabh Shukla), a local police officer. Barfi meets Shruti Ghosh (Ileana D’Cruz), who has just arrived in Darjeeling; she is engaged to Ranjeet Sengupta (Jisshu Sengupta) and is due to get married in three months, and Barfi is immediately smitten with Shruti. She also falls in love with Barfi but her mother dissuades her from pursuing him because he could not take care of her with his disabilities and lack of money. Shruti takes her mother’s advice, gets married, and moves to Kolkata, breaking all contact with Barfi.

A poor silk weaver promises his wife to dress their newborn daughter in a silk saree for her marriage. Facing systemic oppression and the vicissitudes of his fortune, he struggles to keep his word.

Debutant director Julien Prakash’s ‘Ilami’ has the potential of becoming one such rare gem. The film starts with the author’s narration of the history of Jallikattu and how it was an integral part Tamil’s living in a particular locality. The story is set in the 18th century (1715 AD).

Vijay (Jai) an IT professional happens to share a coach with Jenny (Vaibhavi Shandilya) and the duo strike a conversation and soon are sharing beers and the bed too. After two years they meet and recognize each other and for some inexplicable reason decide to get married. Vijay’s colleague Varsha (Athulya Ravi) is ogling at him for years and for some inexplicable reason again she never explicitly say it out to him though she shows it in every possible way. Problem is Varsha continues to pine for Vijay and she gets a chance one night when he drops her home and she beds him using a few beers. A pregnant Varsha then forces her way into the young couple’s house.

Alaudin (Prabhu Deva) is a slum guy and orphan with a golden heart who fights against injustice faced by his fellow slum dwellers. The people of Alli Kuppam bring him up. To fulfill the day-to-day needs of the poor, Alaudin decides to steal from rich people. His main enemy is the scheming, powerful Gangadhar (Raghuvaran). During one of his attempts to steal in Gangadhar’s house, Alaudin witnesses a murder committed by Gangadhar and gets some implicating evidence: a blood-soaked knife and a cut right thumb of Gangadhar. He cleverly uses this situation and starts blackmailing Gangadhar to accomplish all of Alli Kuppam’s needs. Gangadhar becomes his golden goose, his magic lamp, which does his every proposition. Preethi (Ashima Bhalla) is Gangadhar’s manager’s daughter, and she falls for Alaudin. All efforts to catch Alaudin fail. In the final move, Gangadhar plans carefully, traps Alaudin, and shoots him at point blank range. A chance look at the chain worn by Alaudin brings the necessary twist to the story. To his shock, Gangadhar realizes Alaudin is his son who was mistaken to be murdered 25 years ago. The saved Alaudin refuses to accept his father’s request to stay back with him, and takes a promise that he should not reveal the secret to anyone, and that he wants to go back to the Kuppam.

Velupillai Prabhakaran, a warrior, rises to become the founder and leader of the Liberation Tigers of Tamil Eelam.

Sivadas (Kishore) the daring cop who gets ruthless against the local goon Aadhi (Pradeep Rawat) and is just miles away from nabbing the crook. He has a driver named Kundasamy. However he is forced to leave the force for a while to take care of his autistic son, Haridas (Prithviraj Das) because of an unfortunate matter. With much difficulty he enrolls Haridas in a normal school where Amudhavalli (Sneha) is a teacher specialized to deal with special children.

A courtroom drama in which two talented self made lawyers are determined to win a case where they are on opposing sides.

” MMOF” is unflinching and deals with the fury of a man pushed to the limits. Deepak (a mild-mannered, honest to the bone man) who tries to make ends meet by running a Cinema Theatre passed..