Vanavarayan (Krishna Kulasekaran) and Vallavarayan (Ma Ka Pa Anand) are two brothers and carefree youngsters. One day, Vanavarayan meets Anjali (Monal Gajjar) in a marriage and falls in love with her. In the beginning, she rejects him. Vanavarayan follows her, and she accepts his love. Their love journey goes well, until one day when they travel to Pazhani. Anjali with her lover is seen by her drunkard uncle. After this incident, Anjali’s family arranges her marriage with a wealthy man Suresh (Santhanam). Anjali breaks down and secretly meets Vanavarayan, but the family mistakes them as they are running away. Anjali’s brother (S. P. B. Charan) beats Vanavarayan. On hearing this incident, Vallavarayan, in a drunken state, pulls Anjali’s father (Jayaprakash) from her house, beats him, and tears his clothes before the public. This makes Anjali hate Vanavarayan and insists he throw away his relation with Vallavarayan, then only she will marry him. Vanavarayan says that his brother is important to him than her and starts to ignore her. Vallavarayan finds that Vanavarayan is unable to forget Anjali, so he plans to reunite Vanavarayan with Anjali, but all plans go in vain. How Vanavarayan unites the pair and if Vanavarayan sacrifices his relation with his brother for his love for Anjali is the rest of the story.

Dharmaraja is a renowned builder. Raj plans to hinder Dharmaraja’s works and the building is in a state of danger. Ashok finds out about the issues and warns Dharmaraja but gets caught in an accident and goes into a coma.

When an overenthusiastic Maya accidentally embarrasses the Empress of Buzztropolis, she is forced to unite with a team of misfit bugs and compete in the Honey Games for a chance to save her hive.

A day before her marriage, Reshma (Vidya Balan) runs away from her rural village, hoping to become a star in Chennai. She fails to impress a casting director, and he insults her for being unattractive and unable to act. Determined to secure a role, she spontaneously auditions for the position of a background dancer. However, she dances in a sultry manner, using erotic movements which annoys the film’s director, Abraham (Emraan Hashmi). He edits out Reshma’s entire dance sequence. The film fails at the box office, much to the dismay of the producer Selva Ganesh (Rajesh Sharma), who later recalls Reshma’s performance and offers her a role in a song in his upcoming film. Selva also suggests that she now be referred to as “Silk”, which is more exotic and captivating.
At the first shoot, Silk dances with veteran actor Suryakanth (Naseeruddin Shah), her childhood idol. Enamoured with him, Silk gains his affection and attention by offering a long-term sexual relationship. Meanwhile, Abraham proposes a new film to Selva Ganesh and is keen to cast Suryakanth. However, Suryakanth’s suggestion of adding sex and eroticism, to make the film more commercially viable, angers Abraham. Silk slowly builds a name for herself in the industry and goes on to do many more sexually charged films with Suryakanth, which catapults her into stardom. She gains many male fans and, in a short time, becomes immensely rich and popular as a Southern sex symbol.

Full-time detectives Nick and Audrey are struggling to get their private eye agency off the ground. They find themselves at the center of international abduction when their friend Maharaja, is kidnapped at his own lavish wedding.

The film opens with the killing of a police officer by cocaine mafia lord Bhai (Hareesh Peradi) and his henchmen. Kokila (Nayanthara) struggles to find a job to take care of her parents (Saranya Ponvannan and R. S. Shivaji) and sister (Jacqueline Fernandez). She stumbles on the cocaine smuggling business of Mohan (Charles Vinoth). When her mother is diagnosed with lung cancer, Kokila is forced to work for Mohan. Her cunning earns her a name in the business. The new inspector Guru (Saravanan) is a no-nonsense cop and cracks down on drug dealers. Kokila is almost caught a couple of times but manages to evade the authorities. She convinces Mohan to kill two of his henchmen suspected of leaking information and then decides to quit the business. Mohan seemingly accepts but tries to rape her. She beats him up and tries to flee with her family but is caught by Bobi, who had recruited her initially. He demands that she deliver a one last consignment of 100 kilos to Alphonse (Rajendran). Kokila is forced to accept and enlists the help of her family. She delivers the load, but it is revealed that she switched most of it for salt. She then tricks Bobi to double-cross Bhai and then frames him for swindling Bhai. She has him killed and continues the shipment run. On the way, she is caught by the police, who were Alphonse’s men in disguise. She manages to avoid getting raped and kills off her captors. Guru tracks her down and arrests her. Kokila makes a deal with him to nab Bhai and bring the whole drug business down. The plan works out, Bhai is shot dead, and Kokila and her family escape punishment. In the end, the family starts a business of Kolam powder, calling it ‘Kokila Kolamavu’.

Maari, a goon, constantly troubles the people in his locality and extorts money from them. But his life changes when Sridevi, a pretty woman, falls in love with him.

The movie starts with Sugan (Karthi) and his friend Parasuram (Premgi Amaren) being chased by cops. The flashback shows Sugan as a womaniser who has a weakness for Biryani and Parasuram who is his childhood friend. Sugans womaniser attitude always gets him into a fight with his girlfriend Priyanka (Hansika Motwani). Sugan and Parasuram attending a function for branch opening of one of their offices where they meet Varadharajan (Nassar), who is the chief guest for the ceremony. In the meantime, its shown that a CBI officer Riyaz Khan (Sampath Raj) has been deputed to track Vardharajan’s illegal activities. Varadharajan gets impressed with Sugan and decides later to make him his son-in law and this decision gets him into an argument with his other son in law Vijayakrishna (Ramki).

Years before meeting Shrek and Donkey, the adorable but tricky Puss in Boots must clear his name from all charges making him a wanted fugitive. While trying to steal magic beans from the infamous criminals Jack and Jill, the hero crosses paths with his female match, Kitty Softpaws, who leads Puss to his old friend, but now enemy, Humpty Dumpty. Memories of friendship and betrayal enlarges Puss’ doubt, but he eventually agrees to help the egg get the magic beans. Together, the three plan to steal the beans, get to the Giant’s castle, nab the golden goose, and clear Puss’ name.

A kabadi champion, who breaks any rule to win anything in life crosses line with a police officer,who bends any rule to catch a criminal.

36-year-old Vasanthi (Jyothika) is a UD clerk in the Revenue Department. Her husband Tamizhselvan (Rahman) works at All India Radio. Tamizhselvan aspires to emigrate to Ireland, but Vasanthi cannot accompany him as most Irish companies refuse her job applications because of her age being a problem. There is nothing interesting about her life; she leads a mundane life but she craves for a change.
One day, Vasanthi is summoned by the IG, Rajan (Nassar) to his office and she learns that the President of India would like to have a conversation with her. The meeting turns ends in disaster after she faints in front of the President and she becomes the subject of Facebook jokes and before long, she watches helplessly as her husband and daughter Mithila (Amritha Anil) fly away to Ireland.

Pichaimoorthy (Ram), a barber, being forced by his wife, Subathra (Poorna), to accompany her and their two kids, to meet her brother, Raghu, who has eloped with a girl from an effluent family. They need to get the two of them married before the girl’s parents interfere. However, en route, Pichai gets into a skirmish with Manga (Mysskin), a gangster who is out on parole and has to go to prison by that evening. An enraged Manga swears that he will chop off the former’s limb by sundown. Pichai runs all over the city to escape from Mange and his gang. Can Pichai survive the day? The film ends with an inspirational message that knife must be used only to cut the umbilical cord between a mother&baby and not to harm people.