
Ettuthikkum Para 2020
Ambedkar (Samuthirakani), a social activist, gets involved in the dark side of the government. As a result, his son and friends are killed. A lower caste individual (Nitish Veera) desires to marry a girl from a higher caste. A woman (Chandini Tamilarasan) leaves for Chennai to marry the man of her choice. A man (Munishkanth) is in need of Rs 20,000 to save his son’s life. How these separate stories interact forms the rest of the story. – Watch it in HD only on TamilPlay.to!
Genre: Drama
Director: Keera
Actors: Chandini Tamilarasan, Munishkanth, Nitish Veera, Samuthirakani
Country: India
Puthiya Vaarpugal 1979
Shanmugakani (K. Bhagyaraj) arrives in the village of Thaayamangalam as the new school teacher and soon falls in love with a local damsel Jothi (Rati Agnihotri). The village head called as “Periyavar” (played by G.Srinivasan) is a lecherous and sinister man who has a lustful eye on Jothi. Amavasai (Goundamani) is Periyavar’s stooge who also has a long-standing desire to marry Jothi. Periyavar frames Shanmugakani for the rape and murder of a woman social activist and gets him evicted from the village and gets Jothi married by deceit to Amavasai. He asks Amavasai and Jothi to stay with him in order to satiate his lust with Jothi. What happens afterwards forms the rest of the story.
Baba 2002
The film opens with the birth of Baba (Rajinikanth), who is a ‘baba amsa sambhootudu’. Baba grows up as an atheist and hot-blooded man, but he is a Good Samaritan. His lifestyle includes consuming alcohol, smoking substances, and chewing tobacco. His mother (Sujatha) and maternal uncle (M. N. Nambiar) are ardent devotees of Mahavatar Babaji (the Mahaavtar Baba who is supposed to be 2000 years old and who lives in the Himalayas). Chamundeswari (Manisha Koirala) stays in the neighborhood of Baba’s residence who often quarrels with Baba but eventually falls in love with his style and falls for his attitude.
Mahaan Kanakku 2011
‘Mahaan Kanakku’ is a quality entertainer that graced Tamil cinema in recent times. The film stars Ramana and Richa Sinha in the lead roles and is helmed by Sampath, with music by AK Rishal Sai. Norway Tamil Film Festival – Tamilar Awards 2012 The film Mahaan Kanakku is about one problem that most people from the middle class have faced directly or indirectly. The issue is how the private banks in the country take ride on their customers, who are put to untold miseries. Ramana plays a MBA graduate who wages a battle against them. Filmmaker Sampath Arumugham seems to have gone the Shankar way in his maiden venture Mahaan Kanakku. In a nutshell, it is an individual’s crusade against the alleged high-handedness of some private banks in the country that fleece the borrowers in the name of interest. He has not made it very preachy. Ramana’s patience and perseverance seems to have been rewarded with Mahaan Kanakku. Check out the Tamil Movie Review – Mahaan Kanakku Jeeva (Ramana) is a happy-go-lucky youngster. He leads a contended life in Coimbatore with his siter Janaki (Devadarshini) and her husband Vardharajan (Srinath). For Jeeva’s higher education, Varadharajan obtains loand from OCOC bank. Though he repays the loan, for no reason he is harassed by bank officials and collection agents. He is humiliated by them at his workplace and his residence too. Unable to bear their tortures, Varadharajan commits suicide with his family. Only after their death, Jeeva comes to know about the incident. He now vows to teach these private banks a lesson. Jeeva lands in Chennai with a mission now. He fakes his identity and uses all loopholes in the legal systems and borrows huge money from banks. One fine day without repaying them, he disappears. Ow the bank officials run behind him. Eventually he is caught and brought to a special court where he throws light on the attractiveness of these banks and gives a call that private banks be nationalized for they have spelt doom on many families. The director deserves praise for his guts to handle such serious theme. But at no point it goes preachy or dull. His crisp dialogues add strength. Three cheers to the filmmaker for handling a theme like this. He promises a lot and hopefully delivers more in days to come
Ivanukku Engeyo Macham Irukku 2018
Two men who work in a pharmacy moonlight as small-time robbers and during one of their break-ins, they walk away with ₹5 lakh each. And soon, the cops, gangsters and a perpetually horny NRI woman are after them,
Dharma Durai 1991
Indira 1995
The film revolves around a group of villagers from Maranur, India, and their clash with a neighbouring village leader as their community begins to prosper. Soon, money and greed threaten a will for peaceful coexistence between the two rivalling communities. The main theme involves the role of the caste system and how the younger generation strive to overcome it.