Dilli, an ex-convict, endeavours to meet his daughter for the first time after leaving prison. However, his attempts are interrupted due to a drug raid planned by Inspector Bejoy.

A detective, along with his team, goes in search of a missing girl. What follows are shocking revelations about Karthika, a girl who became the victim of power and economic exploitation.

A spy movie based in the 1980s National Security Planning.

Sivakumar (Vishal), a meek person who owns a mobile sales and service center in Madurai, falls for a schoolteacher Malar (Lakshmi Menon). His father Kalyanasundaram (Bharathiraja), a retired government employee, shows much care on Siva’s elder brother Nagaraj (Guru Somasundaram), an honest government officer. Meanwhile, there is a big mafia gang led by Simmakkal Ravi (Sharath Lohitashwa), who rules Madurai with an iron fist. Sethu (Vikranth), a friend of Siva, helps him woo Malar. Sethu helps his ex-lover Amudha (Krithi Shetty) escape from Ravi’s chief henchman Bharani (Harish Uthaman). Meanwhile, both Nagaraj and Sethu get killed by Ravi. Siva and Kalyanasundaram draw up separate plans to eliminate Ravi. Kalyanasundaram hires a hit-squad to do his bidding, while Siva monitors Ravi’s activities closely, biding his time for the right moment. The hit squad makes a failed attempt at Ravi, and he tracks the source down to his father. Just as Kalyanasundaram is about to be ‘found out’ in a trap set by Ravi, Siva interferes and manages to secure his father. Siva continues to be on Ravi’s heels, but he too gets exposed, and the story culminates with Siva mustering up all his courage strength out of his survival instinct. Siva kills Ravi and his associates and manages to retrieve the cash that his father had paid to the hit-squad.

In a village where snake-catching is the livelihood of most of the local populace, a magical tree grew. Because of the tree’s benevolence, it saved one small snake from the villagers and named it “Little Flower”. Many years later, Xiao Shu has become a biological researcher, exploring the secrets of genes. Unfortunately, his colleagues with ulterior motives use the power of the magical tree to break into a forbidden area by ​​the snake-catching village: the island where intruders are eaten alive. The island is filled with moisture, quietness and weirdness, and it seems there are eyes everywhere; staring at every move made by intruders…

In Mumbai, the people who had migrated from Tamil Nadu are living in the slum of Dharavi. Union Minister Haridev “Hari Dhadha” Abhayankar (Nana Patekar) tries to evict the people and seize their land. Over the years, he becomes a minister and plans to clear the area to construct buildings with the help of his supporter Vishnu Bhai (Sampath Raj). Karikaalan (Rajinikanth), living in Dharavi, opposes it to protect the area and his people. His ex-lover Zareena (Huma Qureshi) returns to Dharavi as a representative non-governmental organization that hopes to improve Dharavi’s living standards. Hari Dhadha’s assassination attempt on Kaala kills Kaala’s wife Selvi (Easwari Rao) and elder son Selvam (Dileepan). Kaala decides to take revenge on him and encourages the people to protest against the government. Hari Dhadha creates a curfew in Dharavi with the help of his supporter Inspector Pankaj Patil (Pankaj Tripathi). Kaala fights with Hari Dhadha’s henchmen and the police. Kaala’s younger son Lenin (Manikandan), daughter-in-law Charumathi “Puyal” (Anjali Patil), and brother-in-law Vaaliyappan (Samuthirakani) fight alongside him. Pankaj gets arrested after a video taken by a reporter Praveen (Ramesh Thilak) provides evidence that the henchmen were brought into Dharavi to create problems with the police’s support. The police believes Kaala is dead and informs the media, but the people of Dharavi deny the news of his death. Hari Dhadha enters Dharavi at a function for constructing a new building. Here, Kaala reappears amongst the crowd. Hari Dhadha is killed by the people of Dharavi in a stampede, and the government stops the scheme. With Dharavi’s success, many slums start to follow Kaala’s way of protest to protect their neighbourhood, irrespective of illegal land occupation.

A brother and sister get caught up in a fast-paced and intriguing plot.

The Elder One concerns itself with an arduous quest to find a missing relative. But this tale of two siblings, who each leave home for their own reasons, expands the scope of Mohandas’ already-generous sense of the diversity of the Indian experience. Stealing a small and hardly seaworthy fishing boat, 14-year-old Mulla flees the sleepy, idyllic island of Lakshadweep for the crowded bustle of Mumbai. Akbar, Mulla’s elder brother, left for the city some years before, and Mulla – with only a phone number to rely on – is convinced the two can reunite there. But upon arrival, Mulla immediately falls in with a gang of criminal orphans, receiving a crash course in survival skills for Mumbai’s criminal underground. In the midst of Mulla’s story, Mohandas takes us back to the days leading up to Akbar’s departure from Lakshadweep, when he met mute Ameer sent to the island for an unwanted arranged marriage. Their gay affection will alter the course of both of their lives. Alternating between scenes of bracing violence and heartbreaking tenderness, The Elder One is an epic story of familial bonds and underworld misadventure, infused with urgent questions regarding gender, sexuality, and tolerance. Mohandas presents us with an unsparing vision of Mumbai as a place of decadence and ruthlessness, while ensuring that, with enough love, tenacity, and courage, any place could be called home.

Rajan Zachariah, an Inspector of Police working in the Palakkad District on the Kerala-Karnataka border, investigates a murder case that is very important to him.

Appu and Raja are twin brothers who were separated soon after their birth. Years later Appu, a dwarf, has become a circus clown and is loved by everyone while Raja is a car mechanic. When Appu’s love is rejected as he is a dwarf he tries to commit suicide. His mother comforts him and reveals to him that while she was pregnant with her twins their father Sethupathy was killed by four criminals Francis, Dharmaraj, Nallasivam and Satyamoorthy and also poisoned her which is the reason he turned a dwarf. Appu now decides to take revenge against the criminals but his lost twin brother Raja is framed for his crimes by mistake.

Babu is a shepherd with a giant crook, a flourishing ponytail and a dog named Ramu. When criminals Balu and Johnny murder his parents, he swears upon his mother that he will have revenge. Babu trains under the local zamindar, and is revealed to be naturally skilled at marksmanship. After removing his ponytail, dressing himself like a cowboy, equipping himself with the zamindar’s guns and a horse, and with Ramu as his aide, he fulfils his promise.

Kondapolam tells the story of Nallamala forest-based shepherds who are responsible for protecting their sheep from the dangerous attacks of the predators and the red sanders of the region.