Sennai 2021
Annam the woman who is left alone by her husband cremates the bodies from the government hospital for her survival .She faces many problems because of her caste that continues till her deathbed. – Watch it in HD only on TamilPlay.to!
Genre: Drama
Director: Jaikumar Sedhuraman
Actors: Guhan .S. Semmalar Annam, Kathiravan Annamalai
Country: India
Sathiya Sothanai 2023
Influential villager is murdered. Pradeep comes across the dead body and discovers jewell. He decides to surrender the jewels to the police but the greedy officials at the station refuse to believe his true intentions take him into custody.
Thozha 2016
Vikramadhitya is a wealthy entrepreneur who owns a group of businesses. In Paris, a paragliding accident leaves him a quadriplegic. To ensure his girlfriend Nandini’s happiness, Vikramadhitya’s friend and legal adviser, Prasad, conveys a message on his behalf that he is not interested in marrying her.
Five years later, Vikramadhitya leads a hopeless life with his secretary Keerthi, his cook Lakshmi, and a few servants. He and Keerthi interview candidates for a caretaker position; many seem pretentious and manipulative. Seenu, a paroled convict, applies for the job in accordance with his lawyer’s (Lingam) advice; the job would prove to the court that Seenu is leading a law-abiding life, closing his case. He is detested by his mother (a railway clerk) and his siblings, Swathi and Kanna.
SIMTAANGARAN 2021
Sivaji Rao, a Hyderabad based officer is posted in Mumbai to handle a corrupted cop called Pansari. He successfully manages to arrest Pansari but he soon makes bail and makes it his mission to make Sivaji pay for sending him to jail.
Kanpasum Vaarthaigal 2013
Mahaan Kanakku 2011
‘Mahaan Kanakku’ is a quality entertainer that graced Tamil cinema in recent times. The film stars Ramana and Richa Sinha in the lead roles and is helmed by Sampath, with music by AK Rishal Sai. Norway Tamil Film Festival – Tamilar Awards 2012 The film Mahaan Kanakku is about one problem that most people from the middle class have faced directly or indirectly. The issue is how the private banks in the country take ride on their customers, who are put to untold miseries. Ramana plays a MBA graduate who wages a battle against them. Filmmaker Sampath Arumugham seems to have gone the Shankar way in his maiden venture Mahaan Kanakku. In a nutshell, it is an individual’s crusade against the alleged high-handedness of some private banks in the country that fleece the borrowers in the name of interest. He has not made it very preachy. Ramana’s patience and perseverance seems to have been rewarded with Mahaan Kanakku. Check out the Tamil Movie Review – Mahaan Kanakku Jeeva (Ramana) is a happy-go-lucky youngster. He leads a contended life in Coimbatore with his siter Janaki (Devadarshini) and her husband Vardharajan (Srinath). For Jeeva’s higher education, Varadharajan obtains loand from OCOC bank. Though he repays the loan, for no reason he is harassed by bank officials and collection agents. He is humiliated by them at his workplace and his residence too. Unable to bear their tortures, Varadharajan commits suicide with his family. Only after their death, Jeeva comes to know about the incident. He now vows to teach these private banks a lesson. Jeeva lands in Chennai with a mission now. He fakes his identity and uses all loopholes in the legal systems and borrows huge money from banks. One fine day without repaying them, he disappears. Ow the bank officials run behind him. Eventually he is caught and brought to a special court where he throws light on the attractiveness of these banks and gives a call that private banks be nationalized for they have spelt doom on many families. The director deserves praise for his guts to handle such serious theme. But at no point it goes preachy or dull. His crisp dialogues add strength. Three cheers to the filmmaker for handling a theme like this. He promises a lot and hopefully delivers more in days to come
London 2005
Shiva Raman (Prashanth), an easy-going young man, comes to London in search of a job, but he loses all of his certificates. He finds Kathiravan (Pandiarajan) wandering in London aimlessly without a job. Now, they both need jobs and money. Kathir persuades Shiva to join a bank robbery planned by Bhaskharan (Manivannan). His stammering brother Natrajan (Mayilsamy) and Aishwarya (Mumtaj), who is the former’s lover, lands them in more trouble, as the robbery ends vainly. Aishwarya informs the police about the robbery and tells that the entire plan was hatched by Bhaskar. Bhaskar hides the money before getting arrested, and the place is known only to his lawyer Vedimuthu (Vadivelu). Aishwarya fakes to be in love with Vedimuthu to find where the money is hidden.
Meanwhile, to find a safe cover, Shiva and Kathir plan to imitate Saravanan, the grandson of a rich elderly couple: Shiva Kumar (Vijayakumar) and his wife Parvathi (Srividya). They have not seen their grandchild since his birth. Shiva and Kathir end up disguising Kadhir’s body and Shiva’s voice to make up for Saravanan in front of the blind couple. Ganesh (Delhi Ganesh), who knows Kathir before, makes several attempts to expose the truth to the couple, but all fails, due to Shiva and Kadhir’s luck. All of a sudden, Anjali (Ankitha) arrives in the disguise of Saravanan’s lover. She calls on all the relatives of Shiva Kumar and Parvathi. The relatives arrive in Shiva’s absence. Finding no way out, Kathir pretends to have fainted unconscious, and he gets admitted to the hospital. Shiva comes to his rescue, and says that he is Dr. Karthikeyan, a friend of Saravanan from America….
Periyanna 1999
A prisoner falls in love with the district collector’s daughter while giving her music lessons. Fearing opposition, they elope to a village and befriend the village chief who vows to get them married.
Dheepan 2016
Dheepan is a Tamil freedom fighter, a Tiger. In Sri Lanka, the Civil War is reaching its end, and defeat is near. Dheepan decides to flee, taking with him two strangers – a woman and a little girl – hoping that they will make it easier for him to claim asylum in Europe. Arriving in Paris, the ‘family’ moves from one temporary home to another until Dheepan finds work as the caretaker of a run-down housing block in the suburbs. He works to build a new life and a real home for his ‘wife’ and his ‘daughter’, but the daily violence he confronts quickly reopens his war wounds, and Dheepan is forced to reconnect with his warrior’s instincts to protect the people he hopes will become his true family.